Various Artists - "Songs The Senders Taught Us" (WAIL TAPE 02)

It's been a while, huh?

OK, I'm a lazy bastard lately I confess. There are many excuses for it, but I'm as bored to story them as you probably reading them, so... That's from my vault of shit. Things I'm doing constantly for my own pleasure. I'm almost done with Philippe Marcade's excellent rock & roll memoir, Punk Avenue and came to my mind that I had somewhere this self made compilation, so why not sharing it? I'm not going (of course) to remind you who The Senders are/were. That's an insult. If my memory serves me well, I created this right after Wild Bill's passing, so here's a properly sloppy and drunken tribute to the Senders' axeman, full of the greasy originals the mighty pub-rock New Yawkers tried through their lifetime, to cover. Hope not forget something, but if I did, feel free to correct me.

'Till next time, take care people and keep the rocks rollin'!!!

Various Artists - "Born To Lose - A Tribute To Johnny Thunders" (3xCD, Skykrebs Records - 2009)

Oops, here I am again!
How many tribute albums have you bought people and how many of them are worthy of your hard earned spent money? Not much right? OK, let's make it easier. How many tribute albums have you downloaded so far and you've been bored to death for the time you spent on 'em hearing? Not so much, again, am I right?
Well, for some very strange reason this one even though was probably of the best around and surely the best on our beloved Johnny Thunders, never got the credit. I mean, even fuckin' Discogs doesn't have it on (wtf)! And if the producer had it reduced to a single disc it would have been the ultimate, but what the hell, the more Genzales the better, right? RIGHT!
And thanks to the old pal of the blog, Steve, came to my own hands too a couple of years behind. Here's the story: I was looking for material The Waldos haven't had anywhere else and I came across this. Three tracks man! The Waldos on "Jetboy", Walter on "Short Lives" and Tony Coiro with "Blame it on Mom"! I remember myself searching for it for quite a lot but I wasn't able to track it down in a reasonable price, cause you know they weren't many places have it on their vault. So I asked Steve if he was sitting on and the reply was a link with full scans and 3 CD rips! The tags was a mess but who cares, do something for yourself you lazy prick and so I did! The performances doesn't go below good and the names are at least underground scene thugs. My beloved Devil Dogs with a rip-roaring version of "I Wanna Be Loved", Blanks 77 with "London Boys", The Stiffs take on "Crime of the Century" (with a lil bit of Sex Pistols...) or Nine Pound Hammer ("Let Go") and New Bomb Turks ("Bad Girl"). Impressive, huh? Except for the Waldos familia, there are plenty of other people who knew and played with Johnny over the years (Buddy Bowzer, Jeff Magnum, Andy Shernoff, Alison Gordy etc) or people with more maintream creds (Jesse Malin, New York Loose). And oh, there are also a few surprises (listen for yourselves for 'em) and many a guest star if you read the extensive liner notes carefully. In other words people, this boxset is a must for anyone who is a fan of Thunders or The Dolls or The Heartbreakers.

Cheers!
 

Various Artists - "Summer Stomps VOL. I" (STOMP TAPE 01)

Heeeeeeeey!!!

Whassup? Hope this letter (erm...post) finds you all you guys and gals pretty well! I know, it seems a little bit like I totally dropped this space but as you can see for yourself I'm not. I'm just having no time at all for posts and wanking, at least as Ι used to fool around the previous years. Anyway, here I am. I told you before that I'm gonna show up from time to time and that it's going to happen anytime my mojo is coming back to me. It's almost end of the summertime and I'm still here in the big city due to many-many obligations. But the time has come, man and next Friday hopefully I'm gonna leave Athens for vacations and that was a reason enough to make a new digital 'mixtape' to celebrate the occasion! It's been done real quickly. The procedure was once again based on the formula of "not so much thinking, man", so I just drove myself through my stuff picking out/bringing out whatever my eye was catching and thought I wanted to be in and ripped the shit outta them. The usual WTS faves, you know - 60s garage punk, frat, rhythm and soul, rhythm and blues, real rock & roll basically. Anyway, hope you like it and whether or not have already set yourself to the summertime mode, these toons I think will fix your mood. Till next time (whenever that is), keep the rocks rollin'!

Cheers,
Mihaleez

Various Artists - "Songs The Missing Souls Taught Us" (WAIL TAPE 01)

Hi there! Hope 2017 will be a far better year for each and every single one of you guys and gals.

I know it's been a while since the last time but you know... Not much spare time, not much appetite, not much in general. It seems that I lost my mojo (or interest) for bloggin' matters, but I'm not shutting down the damn thing, cause I love it so much and it gave me even more the last 7 years. And maybe it's for better to post something when I'm really in the mood for it. So keep checkin' people, I'm sure from time to time will pop up something cool from your old hang out.

Anyway, on our subject: Some of the things that failed to renew my faith on modern bands lately, is the lack of fantasy and passion. Most of 'em seem to stay on the "looking good" concerns and they're recycling the same old cliches. I mean OK, you're not going to re-invent the wheel by playing rock & roll, but if you don't have faith, passion and...sex in your music, fuckin' leave it man, try something else for your own good (and ours)... Maybe I'm an old fart now, but I'd rather listen to Slim Harpo or The Pretty Things than to place an LP by the Tell Tale Hearts, and believe me I dig A LOT Mike Stax's old comrades. So, if I'm bored with a band like the Hearts lately, go figure what happens with a much newer combo who choose to play R&B or garage with a much less passion...

The Missing Souls outta Lyon, France are the real shit though, trust me! After three singles and a full album, these soulful fuzz-nuts made me ask for more every single time I put one of their slices on my turntable, man and believe me that's an often repeated procedure the last few months. They don't write songs of their own, but who fuckin' cares with a taste like this!!? Their ability to choose and rebuild amazing 60s garage-frat-punk and obscure soul classics having me not caring at all for not owning "original" material. In fact, I'm praying to stay that way!

If you haven't bought some (if not all) of their stuff already, stop reading now and go place an order. I mean, NOW brothers and sisters! In any other case, you definitely understand why I'm raving so much about them and decided to make a comp with all the original versions they have picked on so far. Again, this was at first for my own listening pleasure, but it's such a good selection of songs that I had to share it with you people.

Woooo, my (missing) soul!!!!

Cheers!

Various Artists ‎– "Pow City! FABulous Shakers Soul Party" (CD, No Label / Crypt? - 2000)

Another digital disc full o' buttshakin', wailin' soul and funky 45s, quite probably by the hands of Tim Warren! The whole (party) spirit throughout this CD it's from the period of time when the soul music was morphing and transforming into something funkier. The beats are heavier, more African oriented but not at all "ethnic". A plain rawness that had only in mind to shake some ass and nothing else. I got this at first just for King Little Richard's "Soul Train" but maaaaaan, imagine my surprise when I've found out that it was just another killer shot of hot-shit rhythm shaker among others!!! Dig also Dottie Campbell's groovy reworking of the Sir Douglas Quintet "He's About A Mover" (with THAT crazy and naughty organ, man!) or Andre Williams and Andre Williams disguise as Jomo or The Ditalians opener "I Gotta Go" which is an absolute cracker. 22 ultra rare stompers and groovers for your parties. Don't worry, dance now, you can thank me later!

Various Artists - "Full Time Lovers, Songs The Fabulous Thunderbirds Taught Us" (WAILCD 02 and a Half)

I've made this comp about a year or so back if my memory serves me well but I didn't posted it at the time because of the following two reasons: I didn't have all songs in FLAC (still don't - so not all songs ripped by me) and I've ran out of ideas for the back cover (all you get is this so-so front sleeve). The whole thing/project was to gather up all Rhythm and Blues, Soul and Funky sides the original Fabulous Thunderbirds line-up have covered (plus some more, I mostly focused on things Wilson/Vaughn touched later), and in this at least I succeed. I really love the T-Birds man! Their manic fusion of sweaty rock & roll, electric Texas barbecue of Chicago blues, nasty Memphis Soul and Louisiana Zydeco was (still is actually) a very good reason (if not, the only) for having any respect on white skin rhythm & blues gangs. Boy, even Muddy Waters was impressed back then when he caught one of the band's first shows in 1975 and hyped them Thunderbirds boys to club owners and interviewers across the country, loudly! Anyway, you got it I guess already. So, this is exactly what its title says. A 26 song gathering of all original sides the archetypal T-Birds chose and recorded (from Lazy Lester to Slim Harpo and from Sam & Dave to Bobby Patterson) for their first six albums, hope you dig it!

Various Artists - "Garage Punk Unknowns Parts 1 & 2, Mid-Sixties America's Teen Garage Rock Action Blast! 1965-1967" (CD, No Label / Crypt? - 199?)

Hey there!
Bought the other day the "remastered" CD from Crypt of what was once upon a time, "Back From The Grave" Volumes 1 & 2 LPs and I'm telling you people, I was very GLAD that the master of primitivism the great in many levels Tim Warren have finally decided to update sound and packaging on the ol' classic bibles of RAW sixties punk that many of us here grew up with! And that led me to post these...
For some strange reason, probably due to (then) problems with rights, there's no Crypt logo on 'em. The whole design and attitude though betrays that Tim had a hand (or two...) in putting together these, he-he. Anyway and just for geeking reasons I'm telling this, I think the only time "Garage Punk Unknowns" had a Crypt mark on was on this 4 vinyl box. But then again, the box got out in 1998 and these CDs in 1999 (I think)... Who knows? Tim works in mysterious ways.
So for the newbies, "Garage Punk Unknowns" were the spinoffs of "Back from The Grave" volumes (along with the "Teenage Shutdown" series that I totally worship). Crude, unpsychedelic 60s punk raunch from the teens that tried to imitate the Stones and the Kinks (and thank God) they utterly failed! If you're looking for the original proto-punks in rock & roll history, these pricks in here are the ones man. Cheap guitars, pounding drums, screams and adolescent snark all the way!
Fuck Hippies. Amen.

Various Artists - "Teenage Shutdown: Jump, Jive and Harmonize" (CD, Teenage Shutdown / Crypt in reality - 1995)

Howdy people! Back from a couple of days off (thankfully there are few more on September's starting) but still in a slacking mood... You know, Greece's having many reasons to be in heat except for the summer, he-he...

Anyway as most (if not all of them) posts here are the results of things I'm crashing in daily and kick me to write and present to you stuff I had previously led my hands on and wasted my ears to and so is this one. My good friend JP once introduced me to the Steve Hoffman forum and even though I hate purists, it has many interesting moments if not educational or funny!

I came yesterday across a TEENAGE SHUTDOWN discussion that if these semi-boot Crypt series are any good and as most conversations ends up, it got bigger and wider on garage/60s punk comps mixing along (what else?) the sound qualities matter... Don't know if any of these guys there are following this jerk behind this blog, but if they do please do yourself a favor and go somewhere else guys for sounding matters. I mean, rock and roll is everything else but fidelity! And even if these next words sound/look/are a cliché, are 100% true as well. Rock and roll is sweat, sex, rawness and sloppiness. It's moving and grooving and having a good time. How this old mod punk song goes? Ah yeh: FUCK ART, LET'S DANCE! 

For me the Shutdowns, are even better than BACK FROM THE GRAVE volumes! Actually Shutdowns are better from anything else except for the iconic NUGGETS (yep, PEBBLES included).  I'm not going to enter into the 'legit' discussion. Of course there lying many well pointed opinions, but firstly I don't know actually what's what and secondly, I don't care as long as these are so well packaged and mastered (yes, even if it's from the bands 45s directly and not from the master tapes).

Here's the first volume and probably my fave one! The "Pounding, Pulverizing, All-Out Punk Dance Ravers" sub sets from the word go, the recipe for this. And what I like THE MOST on these (as the legend says, Moptop Mike owned but Tim Warren chosen) 45s it's the all American feeling into! These frat punks are deeply rooted on the black R&B and Soul acts of their country and day than the British Invasion gangs. Chuckster, Bo, Little Richard and the less known Rhythm and Soul acts (listen to the Shandells' "Gorilla" version or the Us Four "Alligator"). And of course it includes some very well known now tracks like the comp's subtitle of the east L.A. garage legends Thee Midniters or the Lyres well covered and strongly Kingsmen influenced "Busy Body" from the Jolly Green Giants. For fuck's sake it has a prime Del-Shannon mover also!

Don't know if they're still around but if they are, grab 'em with no second thoughts. Trust me, I know my rock and roll... 

Various Artists - "Mihaleez's Rockin' Blues" (WAILCD 01)

 

Hey there! Is it already 'next year'? I guess so... 
And I guess as well that there's no better way for a first post than a handmade White Trash Soul party CD, right? I know it's been a while since the last WAX thing and it's been a little longer since a Greasy Soul and a Dirty R&B comp courtesy of yours truly have landed to your hard disks but you know, the lack of personal time, the work, blah-blah-blah... 

I'm sure some of you notice that I didn't used the "we" pronoun, right? That's because JP wants to make a pause for a little and I didn't blamed him to tell you the truth. There's a time when you want to do other things but I have to testify also his bitterness for the lack of comments on our posts. I mean for me it's OK, I don't care if someone wants to tell thanks or something else cause I'm doing it for my soul self satisfaction first, even if this sounds a little egotistical but I do understand JP's side cause it's always great to see how people reacts on your thoughts and posts...

Anyway, I want to thank him one more time for everything he did for WTS all these years and they were A LOT as you know. Keep the rocks rollin' buddy!

On our subject, WAIL it's the new WTS subsidiary. And since WAX was a baby that belongs to both of us I thought it was proper to use another trademark and logo. For the R&B/Soul sect of our tribe, I'm dead sure, everyone understands that I drew inspiration (aka ripped) Ace Record's idea from "Gaz's Rockin' Blues" well known compilation!!! I'm not cocky enough to put myself on the cover so my beloved Young Jessie took proudly place in it!

The procedure was the well known. No second thoughts or deep diggin' for THE obscure track even though I'm sure for some of you some toons may be 'obscure'. I was having a ball myself and what I wanted to listen that very moment, was being ripped too for your listening pleasure. Don't know if it's gonna work for you, but for me it was a blast!
You can have a preview in case you wanna know what's what by clicking the back-sleeve up there (I made it look like a long play - don't know if I succeed it was the first time without JP's magic hands). As usual share and dance freely! No fuckin' bootlegging's allowed!! This is strictly made by fan for fans shit!!!

Cheeers
Mihaleez

 

Various Artists - "Shakin' Fit!" (CD, Candy Records - 1992)

Well, when was the last time this space honored the last word of its name?
Quite long back right? I was checking up to see what to offer and I discovered that somehow "Shakin' Fit!" slipped my attention. OK, three years back I had through these pages the first (vinyl and with less tracks) incarnation ("Whip It On'Em"), but here's the 'full' version, the one most people knows. Actually this CD gathers the first two vinyl volumes of the three these series had but I can't remember their names right now and Crypt's website doesn't have them now listed to make everyone's life easier. This is probably my fave of all these millions official/semi-official and bootleg comps about Rhythm & Soul. Great sound, great packaging and great song selection! And you know, some of these gems have been introduced to the younger generations by the Detroit Cobras' movement for the salvation of Black America's VERY IMPORTANT rhythm tradition! It's not the 'rare' factor that makes this CD such a COOL accumulation, but the SWEAT! You can actually smell a thousand people's body fluids (or more!) dancing to the sounds of Mickey Lee Lane's "Hey Sa-Lo-Ney", Don & Dewey's frenetic "Heartattack", Don Gardner's twangy ass-shaker "My Baby Likes to Boogaloo" or David Jones "Boss with the Hot Sauce" (you can do no wrong with a song having a title like this!). The Nuggets equivalent for 60s Rhythm & Soul!

Iggy & the Stooges - "Unrough Powder: The Trueborn Raw Power Mixes" (WAXEP001)

Well, well, well... Is there anything about "Raw Power" that hasn't been said or written yet, especially after all those previous years re-mixes, re-masters and re-issues? Quite honestly, no. I just deleted a 3000 words piece cause it had nothing utterly new to tell... Lester Bangs did it first and it sucked too some times. Come on, feel free to abuse me for the previous line but the best thing ever wrote (and it sums perfectly the punk rock attitude) was this Troggs appreciation (RIP Reg Presley) on Who put the Bomp... I hate the 'Funhouse' review!
Include ourselves of course to the above, cause if you can recall almost two years back to this day, we have tried to give you some of our postures on the subject by posting the rare original UK CBS vinyl. So?
So, we had absolutely nothing to discover hither, at least the we way did with "L.A.M.F."  and we knew that from the very start. It was however the natural next step for us to try something with "Raw Power". I mean, the similarities with "L.A.M.F." are spotless. A hugely influential rock & roll record, a blurry history/mythology, a long lasting 'bad production' debate, a 'Revisited' like attempt (Iggy's 1997 remix) and the most important thing, is 'the other' fave ever record for the Bobcat Twins (JP must own 20 different issues)!
What we also knew was that CBS was no Track at all. There were/are many bad pressed or bad transferred "Raw Power" editions around through the years (the first ever CD edition is a very good example) but if you're looking for secretly different mixes to be found somewhere, I'm sorry no such thing here (with the only known exception of "Search & Destroy" of the UK press). Actually what we had on our hands and deserved to be used for WAX-ing was the "Original Bowie mix" in some pleasant pressings, "Iggy's remix" which btw lead us to some arguments with JP (a VERY infrequent situation - I like it, he hate it) and the often bootlegged "Original Raw Power Mixes" again by Iggy, which in most cases were barely audible but never altogether compiled. Bomp's "Rough Power" had 'em all of course if you want to object, but this WEIRD reverb/echo storm throughout the songs presence, destroyed everything and makes us STRONGLY believe now that 'some hand' added these ridiculous and totally extraneous effects just to sound 'different'. Don't get us wrong, WE LOVE Bomp and you know it well BUT this is clearly some cook kind of thing.
There was no motivation for us to deal actually with the first two well known foresaid mixes and it's easily understood the reason why of this. All of them are in print now and most of the 'different' pressings have been posted on internet many times before. If we had to touch our hands somewhere there was only one path for us to cross. The one of the 'Original Mixes'.
So why an EP this time? Cause after countless conversations my buddy convinced me he was right. Quality over quantity as he wrote me! The often recycled WABX radio broadcast has a crappy sound in all cases/releases and any thought on using it, abandoned immediately. There's no need to represent something's not worth a shit (and it ain't won't worth a shit!). On the other hand what through the ages surfaced as what was Iggy's original essay that annoyed all the jerks at MainMan, were only four songs (Search & Destroy, Hard To Beat, Raw Power and Shake Appeal). We couldn't do much except to find the best ones. And that's what we did. Look no further, these are actually the best sounding survivors, scattered in four different and very hard to find now bootlegs plus the rare as hell "Search & Destroy" version of the UK press, for the first time all gathered in one!
We found A LOT entertaining the way we created the covers with this 'hostile to Bowie' approach. After all we're not his biggest fans, he-he... We sure like what he did at times, and as you perhaps, we both grew with his mix, that's what we learned to like and love but hey, this is an Iggy and the Stooges 'release', dedicated to the most furious rock & roll ever commited to tape, so a hate note and a sour feel it is incumbent upon, right? RIGHT!!!
And, oh! One more thing... The 'badly produced/recorded Ashetons' steam engine or the 'visionary' Bowie mix are in questioning with these tapes...Hear for yourself, and let us know!

"It wasn't about production and it wasn't about being popular. It was about this gut-level expression, almost like a soul singer. And it's no accident that it comes from Detroit". 

Rod Firestone, 

Rubber City Rebels 

Various - "The Ace Blues Masters, Vol. 2 - 4th and Beale and Further South" (CD, WestSide - 1998)

I've bought this CD in a second hand store some years back, that was in a good 99% a load of crap situation in its four light green painted bordello like walls. And it was really a treasure thing waiting to be rescued from the cesspool of Madonna, 50cent and Puff Daddy waste of plastic and alumina. And I was such a dick then to pick it up just for the Frankie Lee Sims stuff, but man, I've LEARNED so much through this and in a good part what is actually the real primitive raw blasting rhythm & blues music!
As I said, the driving force for me to buy it was Frankie Lee Sims' "Walking with Frankie" an amazing song I first heard from the Barrence Whitfield & the Savages hyper frenetic debut and wasn't containing on another one Sims CD comp I had. And OK, Sims' songs are standouts obviously but NO LESS impressive are also Joe Hill Lewis one man band pounding (here in a previously unissued 1954 session) or Arthur 'Big Boy' Crudup's by 1952 (Yes! The one a young, greasy and pink suit wearing Elvis cut his song and wrote history with "That's All Right Mama") all for the legendary Memphis Ace label! I'm no blues expert but I know when something's REALLY GOOD and honest and if you 're in a mood for some serious crankin'/blastin' Rhythm & Blues action, well, here's a very good shot of it!

Various - "DIY: Come Out And Play - American Power Pop I (1975-78)" & "DIY: Shake It Up! - American Power Pop II (1978-80)" (Rhino, 1993)

I abstain a lot to think of my self as a power pop specialist, but on the other hand I have heard over the years so many records under that term that I believe I’m able to have a word or two without being categorized as a smart-ass, right? Those two volumes were part of Rhino’s once upon a time attempts to anthologize in the best possible way, the mid to late 70s punk rock scenes for the both sides of the Atlantic. And except for the fact that are actually the best volumes of the series (9 in all), are also and probably the best official compilations on the genre. You know, the other day I was checkin’ up my ‘zines library and on this Fast, Loud Rules issue found that this first volume seems to was in the beginning a boot LP in which the good guys at Rhino based upon (and copied possibly everything as you can see…) to create this issue (but then again I never saw it with my own eyes so let’s see this as a good trivia)! Who said bootleggers are only thieves and cheaters? Cause if you consider yourself a true rock & roll fanatic (which is probably true if you’re here not accidentally, haha!), the totally brilliant series in the likes of KBD compilations only this time for Power Pop under the “Powerpearls” name, are (guess again) bootlegs too! Anyway, I always liked Power Pop and what a great name to come up with! Instantly all the guiltiness about finding yourself enjoying a rather melodic tune with hooks and sha-la-la’s goes away! And that was power pop’s life story. A generation of punk rockers who felt free to dive in shamelessly in the earlier days of Fab Four without the fear of being accused by comrades as squares! Cause on both volumes these bands had more in common (if not a straight line inspiration) from the Mersey Beat 60s scene than the one of U.S. Garage. Every little song here’s a sparkler, piece of history and one way ticket back to the days where you were able to see girls as innocent creatures and not as evil monsters (for my female readers: don’t get it wrong sweeties, I’m no sexist - I just have clear memories of how in my mind females translated in less than a year from cats to leopards)! And you can get the crème de la crème even if names like the ones of Dwight Twilley or Phil Seymour shine in their absence (rights owners may have my curse!). Name check? Alright then! Count the classics: The Shoes – “Tomorrow Night”, The Nerves - “Hanging on the Telephone”, The Real Kids – “All Kindsa Girls” (in a probably demo-ish recording, for sure rawer than Norton’s Red Star debut CD reissue) Cheap Trick – “Southern Girls”, The Diodes – “Tired of Waking Up Tired”, The Rubinoos – “I Wanna Be Your Boyfriend”, 20/20 – “Giving It All”, The Beat’s both cuts, Fotomaker’s “Where Have You Been All My Life”, The Plimsouls – “Zero Hour”, Flamin’ Groovies (of course!) – “Shake Some Action” and Chris Bell – “I Am the Cosmos”!!! And all the above tracks, are those that come in me mind without to check the track-list in the back, right this moment OK? Looking at the date both CDs been released (on the back says 1993...) I really wonder why for so MANY years someone hasn't put out a box in the likes of ‘Nuggets’ or ‘No Thanks!’ for Power Pop's little jewels? A matter of rights maybe? Anyway, if you ever face up these two volumes at a second hand store, don't let 'em slip away. A good way to have in one place some of the best products American power pop ever produced. Till then, here they are for your ears pleasure (sorry for the marked 'M.H. Lime' on the sleeves, when I was younger I used to stamp all of my records). I believe we owe more than we think of to Greg Shaw...

Various Artists - "Lend Us A Quid, The Tanked-Up, Dressed Down, Dirty-Ass R&B Side of Pub Rock!" (WAXCD 004)

Hi there! When I was in my teens, one of my dream jobs was to be an archivist on record companies in the likes of the British Ace. Actually I’m still dreaming of this quite a lot... You know, dreams are for free! Anyway, I was fascinated by the thing totally. I mean, you’re getting paid to search the vaults of legendary 
labels like Stax, Modern or Meteor, to write the liners, to interview long forgotten heroes and to gather a compilation for the listening pleasure of a majority that has obviously an upper IQ level and of course great taste! And this was the driving force for starting the whole WAX CDs compilations. The addition of JP makes many matters easier, BUT I tell you guys that this persuasion’s not an easy shit to do. You’re setting yourself higher standards every time and you’re coming to a point that you feel imprisoned on your own ‘fun’ idea. OK, I made it look quite weepy but what I’m trying to say is that when you get positive reactions from other people for your ‘work’, it is obvious and happens almost subconsciously to want to make it even better next time and all of a sudden this photo’s not so good, this track doesn’t fit well, and when you’re come finally to an end, you realize that you have already spent on this two or three months! But it’s still a fun thing to do and I wish this was my every day routine! As you can see, this time we have picked on Pub Rock. Be careful though, we didn’t want to make just ‘another’ gathering of well known songs. And we wanted also this stable to have a ‘concept’. And the concept here is the “Dirty R&B” side of the idiom. That means no Brinsleys, no Ace, and no Bees Make Honey. Nothing against these bands of course, Brinsleys in fact are one of my favorite combos of the era but this shit here’s about raw uncompromised energy! I wanted the punk forefathers, the ones that teach the Pistols and their generation who Music Machine was and where this evil force called rock & roll was born or/and by whom?! 

In my mind the best rock & roll combo came outta UK (in all periods of time!), hands down are Johnny Kidd and the Pirates. Way cool than many before or since! No wonder these guys were a huge influence on our subject. Mick Green patented the sound made Wilko a hero and their song was the reason why the Feelgoods christened themselves this way. I tried to stick to a ‘heavy’ R&B beat for all selections here and I tried as well to link past with the then present and future. Downliners Sect was no new to the game of course, but seeing their kids succeeding in their own game, jumped up the wagon and released at least one killer LP (they did the same with punk as FU2, but that’s another story waiting to be told). Lemmy and co. was no less than a kick ass pub band in their prime, and along with 'their gals' created a mayhem picking on Johnny Kidd’s classic “Please Don’t Touch”. MC5’s front man Rob Tyner left an interesting (at least) single with the Hot Rods backing him up, and the more garage approach of the movement with The Inmates and The Cannibals (driving force was and still is Mike Spenser of the MKI Count Bishops) who introduced the Nuggets to a generation of punks that wanted to re-establish rock & roll but not in the traditional way. I included also the Little Roosters (WHATTA NAME!) and the nuclear blast in the form of a song named “I Need a Witness (produced by Joe Strummer), a song the Cock Sparrer (!) made widely familiar, the Hammersmith Gorillas savage take on the Kinks (Gaaaaaaallll you really got me gowin!), here from the original single and not from the RAW records re-press that had mastering/sounding problems plus the Bob Seger Chuck Berry homage by none other than Terry Gibson of the Sect! The Untouchables Wilko produced single as far as I know is quite a rarity already, and Dr. Feelgood’s live hyper speed take on Jerry Lee just rips! There’s an interesting little story behind every track here and why chose it but we will need more time to put into shape a thing thats already late a bit… So, hope you enjoy it and try find all these bands if you already haven’t. And keep in mind that Pub Rock was the true but unfashionable movement that REALLY saved rock & roll’s ass! RESPECT!
PS: "Lend Us A Quid" was the ironic pin my idol Steve Marriott used to wear during his pub rock days. Many of the fans still believe this was the sad end. I'm not one of those! I wish anytime soon, some better sounding tapes from the ones already exist to surface in public... 

As usual no bootlegging on WAX CDs. Share and dance freely!

Various Artists - "Songs DMZ Taught Us - 28 Beat & Proto-Punk Originals To Scare The Shit Out Of Your Local Mohawk Caricatures!" (WAX CD 003)

Welcome to our 3^rd installment on what this space regards as ‘heroes’, leavin’ out almost always what the large crowd might thought or not on what is ‘rock & roll’! WAX CDs are here at WTS HQ, a rejuvenescent breath and each time me and Jean Philippe exchange ideas, rip records and design the covers of a ‘new release’,  we’re in a “speed’ situation! And DMZ were/are for both of us a legendary outfit. Of the few in their era that wore proudly the then unknown roots of punk with the Sonics, the Wailers or the Troggs. A band that pre-dated Lyres and the whole 80s garage revival movement (or trend) by far! No paisley shit, no mop top pretentiousness, just raw undisputed energy deeply sourced to every Kennedy era US town daddy's garage and teen faces full of acme and raunchiness!

We knew that in 2011 most of these songs if not all, are well known but there’s always a new field to seed your weeds right? This time most of the tracks ripped by Jean Philippe and with a good reason. He transferred most of the songs here from vinyl records instead of CDs (I was about to do the opposite, i know... I'm a lazy bastard!) and gave our label the marking we declare! WAX from waxed godammit! Our pattern was every single DMZ release through the years plus a new Munster release of a Lyres line up represented by the 4/5 of DMZ. So, as our title proudly pronounce, what you get is "28 Proto-punk & Beat" rave-ups, by the original artists (in some cases not) "to scare the shit out of your local punk caricatures"! And believe me, these blasts they'll do it snugly! So long.
*No bootlegging on WTS - WAX CDs. This is ONLY for Soul Self Satisfaction and/or educational purposes. Share and dance freely!

Bo Diddley - "Bo Diddleyrama Grind Series Vol. I, Keep Your Big Mouth Shut! Thee Originator's Instros" (WAXCD 002)

The original idea belongs to Kogar's Jungle Juice (this blog's cool place to hang out - check my blog roll) and I've posted his version also in the very early days of the blog, but... was obviously something not right with me and this rar file. I decided then to expand the whole brilliant idea, include better sounding rips of the songs and make (along with my faithful partner in crime, Jean Philippe - without whom...) a proper CD jewel case artwork for you out there who want things be done in a more connoisseur way.
I've learned many Bo songs when I was younger by the cover performances of groups like the Tell Tale Hearts or the Crawdaddys at first and in continuance by monsters in the likes of The Pretty Things or the Downliners Sect and I knew till then that I must go find the originals. You can't go to "z" without knowing first all the previous letters of the alphabet, right ( I've learned it in reverse as you might guess...)? So, when I first downloaded Kogars version, I peeved by two things immediately...1st. the absence of many more brilliant tracks and 2nd. why the included songs were in a such a low bitrate? I mean, if the “rights owners” of these blasts are going to hunt you down, give 'em a good reason at least, ha-ha!
I started ripping the tracks, tag them with all the right info for the listeners, place them chronologically and add as many more songs a CD lets today. I still let out sadly some amazing tracks (the two instros from the Bo/Chuck Chess album are the first that come in my mind right this moment) but hey, there's nothing more you can do about it. I stole our series title (yes, hopefully there be more) from a dude I don't know his (nick) name, but I thank him anyway and I encourage him to contact me and get his credit if he ever land to the WTS planet of loon. This is PURE cut and shave chunka chunk Bo, speechless and mighty as ever! If you like what you're about to hear - you own to yourself to go get the records. Cheers! 
*No bootlegging on WTS - WAX CDs. This is ONLY for Soul Self Satisfaction and/or educational purposes. Share and dance freely!

White Trash Soul Presents: "Romp, Stomp & Grind!" - 25 Wicked 'N Obscure R&B and Soul Stomps! (WAXCD001)

Hi there! It’s been a while since the last time we talked in depth, right? In these days of absence, our second son came to rule (along with our first) our lives and if you’re already a proud parent, you might know probably what this thing means! A full 24/7 attempt to re-direct and re-organize the new parameters of your life. I’m not complaining but really there’s no time to hear a record or to read some lines of a book and due to this I was thinking that I was right ‘bout the frequency of posting up stuff here.  Just as Jerry Lee Lewis said,”I’m right! I’m always right! Once I thought I was wrong but I checked it out…I was right!” Ha-ha!

Well, this is a “project” that started ‘bout 3 months ago and ended a few weeks back. Many of you guys and ladies asked for a new White Trash Soul compilation, and this time I thought to do it better. Which means, a cool crack to produce a decent collection of mostly 45 rpm originated songs from my fave kind of music. Rockin’ & Rollin’ R&B or Soul stompin' shakes, some obscure some not , well chosen (I hope…) and placed, in order to create a cool soundtrack for one (or maybe more) of your next parties. I know, that’s some REALLY hard work for someone to do but what the hell, it worth the shot! I always loved compilations in the vein of “All Night Soul Stomp!”, “Downtown Soulville”, “Jump & Shout!”, “Shakin’ Fit” or “Pow City!”. Amazin’ gatherings of obscurities, perfectly suitable for (what else?) dance! But I wanted also these shakin’ and tremblin’ screamers to be in a package well designed plus some liners (well, kind of…) that was lacking of the aforementioned boots. The ‘liner notes’ unfortunately, didn’t make it to the ‘CD artwork’, but you can copy 'em if you still want, from the piece that follows (I’m no Billy Miller anyway and if you don’t have 'em, you’re not missing something actually). I had many ideas but I didn’t know how to generate an end result like the one you are now able to see. And there came to picture my French connection! My beloved and faithful partner in crime, Jean Philippe. We exchanged about 40 emails (at least) to come to an end for this artwork thing, but I’m totally happy with the final results! Completely true to our ideology, we have borrowed/stole things - but as once a teacher of mine told me back in the high school days, “there’s no parthenogenesis in art at least…”. There are also some semiotics for the more hooked that I dig the most! Don’t know when I’ll found the time to do again something like this – but til then hope to like, dance, scream and vibrate to this comps’ songs! All the best,

Mihaleez

                                    

Sugar Pie DeSanto - "Go Go Power" (Checker 1160, 1966) – Sugar Pie DeSanto 's a cousin of Etta James. This family for sure had tons of talent in its circles! Don’t know why Sugar Pie never hit big, but she was a hell of a writer and performer! She was one of the first black women in the industry that created and at the same time introduced so STRONG material! Chess/Checker should have use this weapon better… “Go Go Power” is one of her best songs but wait a minute… Mrs. DeSanto never wrote or performed a weak tune! If you buy the recent Ace comp of her Chess material you’re gonna know the reason why!

Holly Maxwell - "Philly Barracuda" (Star 100, 1966) – One of the best examples of the Chicago Soul/Boogaloo dance craze! Never mind the “Philly” on the title, this is a pure and well executed Chi- town stomper! I always thought of the drums as the basic instrument on R&B/Soul records. This is a good case to vote positively on my above statement!

Baby Jean - "If You Wanna" (Stacy 505, 1962) – OK, that’s MY ABSOLUTELY FAVORITE DANCE/R&B/SOUL record EVER! I still need information ‘bout who was/is Baby Jean and her recording career if this existed anyway ( I hope so)… On the flip there’s the equally frantic “Oh Johnny”. Driving beat, manic force and LOUD female vocals compose the best (for White Trash Soul…) 45 ever! I really can’t think of any party with one of the two tracks of this monster not playing twice at least!

Big Maybelle - "Quittin' Time" (Rojack 118, 1968) – Randy Cozen’s and Norhern Soul fans in general fave female, is mostly known for her Okeh sides even though she tried many ‘different’ things on her brilliant career. She even covered the ? & the Mysterians garage classic “96 Tears” and with outstanding results! That’s one of her most memorable 45s in the sixties, on the Rojack label and it’s a monster for all the fans of the upbeat R&B/Soul dancers! “Quittin’ Time” 's on the pantheon of White Trash Soul’s toons for both known (by me…) versions. I dig both the same and just because I had previously shared the “All Night Soul Stomp!” compilation with the Kansas City Playboys take inside, this time took on Big Maybelle’s dynamite interpetation!

Lewise Bethune - "Chitown Boogaloo" (Sack, 196?) – That was a mysterious track for me. After many tries I came to conclusion that this Lewise is actually the same Louise that with her sister Kendra Spotswood were for a moon part of the great Shirelles’ history! This Sack 45, is the well known now anthem “My Baby Likes To Boogaloo” of Don Gardner, but with female vocals plus those “Ooh-Ah!” backings, obviously inspired/taken by the king of the all black R&B boogaloo-ers, Jerry-O! A very COOL take and for sure a good reason to shake your ass a little!

The Antennas - "Be Yourself" (Clay 201, 1962) – I’m owing MANY thanks to the Detroit Cobras for letting me know (and) this song! The Antennas were probably from Chicago and if not, they sound like a Chi-Town’s group. At first an all male doo wop group who found in the face of Shirley Shelton an Etta James female vocalist and created in their sole release a hell of dance track but unfortunately made also two serious mistakes…1^st they put it on the flip…2^nd They were too much a head of their time. Mind you this song got out in 1962, try found a song by this year sounding like “Be Yourself” and I’m gonna give you my Excello Records t-shirt!

Marsha Gee - "Peanut Duck" (Joker! 0001, 1965) – That’s another mystery… Recorded in Philadelphia back in the sixties and there are many theories on who’s the singer behind these animal (duck) noises… Found ‘accidentally’ by some dj in the 70s and released til then many times, mostly as a boot 45 or as a member of compilations like this, but remains though one of thee best laid back and at the same time killer dance tracks ever committed on tape! There was around a ‘true’ Marsha Gee vocalist but it’s almost identified that had absolutely no relation to this tune’s singer. I really wonder how and why remained for so many years on a back corner of a dusted studio…

The Bar-Kays - "Bar Kays Boogaloo" (Volt S417, 1967) – As important as Booker T & the MGs for the Stax/Volt labels, the Bar-Kays are to this day known to the most of the world as ‘the Otis Redding’ band. Of course that’s a medal they fairly (and proudly) wore but are more to this combo if you’re interested…Their original line up (and best) had James Alexander (bass), Jimmy King (guitar), Ronnie Caldwell (organ), Phalon Jones (sax), Carl Cunningham (drums) and Ben Cauley (trumpet) and sadly recorded only one LP before Alexander and Cauley follow Otis in death on this tragic plane crash back in 1967… “Soul Finger” remains a stone cold classic at least for the Funky Soul genre and no record collection is broad without it. “Bar-Kays Boogaloo”‘s my fave track from it and the only tune here make it from a long play and not from a 45. Unmistakably swingin’!

Rex Garvin & The Mighty Cravers - "Emulsified"(Okeh 7174, 1963) – A NYC/Bronx original, started out in music business in the early 50s not only as a singer, but also as a bandleader, pianist/organist, songwriter and arranger for other artists. By 1959 Rex Garvin launched his own recording career and in 1961 formed the famous Mighty Cravers. With the Cravers on his side changed many labels and released about a dozen singles, with “Sock It To ‘Em J.B.” as the most famous. Many mistakes “JB” for James Brown but in truth were it for James Bond! Anyway, “Emulsified” is maybe the second most known and came out through  Okeh's etiquette. In my head Rex Garvin & the Mighty Cravers are a HUGELY underated group and I still wonder why someone (even a bootlegger) not gathered all of their sides on a sole release. I still also need to hear their one and only (?) LP on Tower (1968). As I read many times it was Funky as Hell! Anyone can share it? Dig throughout the song the organ riffage!

Billy 'The Kid' Emerson - "The Whip" (M-PAC!/MAR-V-LUS 7207, 1963) –   A true R&B pioneer but unfortunately, overlooked. This tune has both legs nailed to a soul ground, but The Kid walk through blues, R&B and rock & roll with the same high quality standards. On his first steps had by side Ike Turner. Actually Ike was the one that brought him to Sam Phillips attention and at Sun cut many classic sides. He never got high on charts but his songs covered by many big names with most notable example the one of Elvis Presley (“When it Rains it Pours”). "The Whip"’s for sure one of the best laid back and cool as f*ck soul songs ever waxed.

Stacy Lane - "African twist" (Excello 2293, 1967) – If you try to google a little for this Wilson Pickett-esque lunatic, be sure to add by side keywords like ‘soul’ or ‘r&b’, otherwise you’re gonna get a thousand results of porn material due to the same named busty ‘star’! Don’t know much about him and there’s hardy nothing on him in the net. I only got this Excello single ( I know also he got at least one more), and it’s a part of a late 60s dance craze about  motherland Africa.  Imagine a boogaloo Wilson Pickett, in a rawer (!) situation and you’ll be close to the crazy sounding world of Mr. Lane. Ungawa indeed!

Wilson Pickett - "She's Lookin' Good" (Atlantic 584183, 1968) – What more can I say or add that never been said ‘bout HIM before? I did a couple months a tribute to his excellence and I really got no words to put on. OK, let’s go then to why pick on this. Stacy Lane had another record on Excello under title “No Brags Just Facts” that’s actually “She’s Lookin’ Good” with different lyrics. And it’s another winner by the Man and a half! In a manner kinda like “1000 Dances” and with tons of attitude, it’s certainly a toon with guts about facts on gals!

J.J. Barnes - "Chains Of Love" (Groovesville 1006, 1967) - If there's one thing I like the most for/from the punk n' roll bands originated from the Detroit area, is their full appreciation on the city's soul tradition. From the Five to the Gories this element make an appearance almost in all bands recordings or concerts. So, in my post-teens and through Mick Collins band, I've learned this classic! “Chains of Love” is one of J.J.'s “toughest” sides. The song's written by the great Melvin Davis and released via the Groovesville label. And I said toughest cause J.J. Barnes is mostly known to the UK Northern Soul fans for his “mellower” sides (“Our Love Is in the Pocket” etc). A heavy soul dance floor filler with raw & fat production.

Eskew Reeder - "You Better Believe Me" (Crosstone 1007, 1969) - The impact of a figure like Esquerita (Eskew Reeder, SQ Reeder Jr., Fabulash, Magnificent Malochi etc…) was instant when I first look at him on the Norton website some ages back! So much that I made him too (I know, I'm not that original right?) White Trash Soul’s key face. That's probably my fave Esquerita tune of his “second phase”, cause as we said many times in here; the Capitol material is simply untouchable! A Benzedrine-like soul stomper of the few of the era in those heights of energy that makes you wonder why SQ didn't cut more of the same clothe.  No wonder Northern Soulsters made this song one of the scene's trademarks!

Nat Kendrick & The Swans - "(Do The) Mashed Potatoes" (Dade 1804, 1959) - “Ladies & gentlemen STAR TIME, are you ready for STAR TIME?” Those famous words in the beginning of “Live at the Apollo” LP fit perfectly in this case! In fact, this is James Brown and his Famous Flames plus King Coleman! For more on this you can look back on a previous post about our sadly missed King.

Nathaniel Mayer with The Fortune Braves - "I Want Love And Affection (Not The House Of Correction)" (Fortune 567, 1966) - The master / originator of the unproved term 'garage soul'? Definitely! Nathaniel Mayer helped by three facts. His voice which at a very young age had somehow a gritty croon, his label (Fortune) that still today no one succeed to re-create the sounds captured in the small Detroit record store of D. Brown, and last but not least, his band (the Fabulous Twilights) who had an exploited sound and to these ears only the Emperors had the ability to catch. This masterpiece (along with “Village of Love”) remains to this day excellent examples of how black Detroit sounded outside Motown's embraces! A whole great and wide chapter you NEED to discover if you consider yourself a soul/R&B fanatic!

The Emperors - "Searchin'" (Mala 561, 1967) - Philadelphia's heaviest, rockinest and most danceable group, hands down! I fuckin' love the Emperors! I dig them the most cause they really were a 'garage soul' group! Actually was the total definition of the term! Imagine the Coasters playing boogaloo instead of R&B add by side a groovy as fuck, garage punk like organ with heavy percussion beats and boom, you'll have the Emperors! This is probably their most rare 45 in their catalog. And it's indeed the Coasters' masterpiece, adopted, blended and twisted via their unique sounding angle!  I must say more on them on a future piece…

Combo Kings - "Mish Mash Soul" (Flo-Jo 4095, 1962) - A brilliant example of boogaloo, they way cooked then in cities like Philadelphia or Chicago. From the little I know for these Combo Kings, were a very energetic group of youths (age of the members varied from 11yo to 17yo!) who rule the clubs of their city. They were wide known in their area and used to back up 'bigger' names of the era such as the Isley Brothers, Sam Cooke and Gary US Bond when these came to show up on the American Bandstand shows.  The kind of band I always wish to witness in a dance, if I had a time machine!

Earl Palmer's Party Rockers with The Jay Hawks - "Johnny's House Party" (Aladdin 3379, 1957)– Oh, that’s quite a gathering! Earl Palmer was the BEAT behind countless sides of rock & roll, and when I’m saying countless I mean it! From Little Richard and Don & Dewey, to Eddie Cochran, Jan & Dean, Beach Boys, Larry Williams among others ( to these “others” put on names such as Frank Sinatra, Tom Waits or Neil Young but that’s no rock & roll at all). The JayHawks of-course were the doo wop/r&b group that’s mostly known for the “Stranded in the Jungle”, a song  the New York Dolls took and transform into a sleaze-fest! In the “session” was also present  the GREAT Rene Hall putting up some FILTH on guitar. What we have here is thee ABSOLUTE TITTYSHAKER of all time! And good party song like this must be drunk sinked, sloppy and with a loose atmosphere all around it! And that’s the definition of the above!

Mary Hankins With The Tiki-Turbans - "Ants In My Pants" (Continental 12451, 1964) – Ants in your pants indeed! A floorfiller soul/ r&b track like no other! Forget James Brown, this is a hot smokin’ piece o’ wax! Not much info for these maniacs too, but who cares really? The first time I’ve heard this, I knew I had found the slogan I needed for my WTS logo!

The Valiants - "Frieda Frieda" (Keen 4008, 1958) –  An amazin' rockin' R&B track that even Little Richard would have killed for! Actually the Valiants version of “Good Golly Miss Molly” released earlier than the Master's even though Mr. Penimann's take was earlier recorded. I learned the song via the Barry Whitfield & the Savages album “Dig Yourself”, searched for it a while, found it, grab it and till then remains at the height of my Little Richard soundalikes ever! You'll gonna know why in a little! 

Paul Peek & His Peek-A-Boos feat. Esquerita - "Rock-A-Round" (NRC 001, 1958) - That's the only song in here that's from a white dude. BUT… 1. This white dude was a Gene Vincent's Blue Cap! 2. Co-written by Peek and Esquerita featuring the key slayer himself pounding those 88s! And it's a hell of a tune! The drums and the keys are trying to beat each-other in song's favor and ours flavor! Cycling rhythms, exploding in your face without further warning! I wish sometimes Gene was involved too… 

Wailin' Bill Dell & His Bachelors - "You Gotta Be Loose" (OJ 1003, 1958) - Don't know shit 'bout Wailin' Bill Dell except for the fact that he's WAILIN'! Τhis thing totally rips! Two notes, less than two minutes, a monster & a storm! Wicked & breathless example of what today is called "black rock & roll"! 
Don Covay - "Ooh, My Soul" (Firefly 313, 1958) -  A legend in its own right, Don Covay may be more known as a Soul maestro but in his earliest was no less than a Little Richard type, electrifying rock & roller!  He cut some CLASSIC two-siders sometimes under the nickname of Pretty Boy and he was one of the few that got Richard's personal OK for what he was doing. Tracks like "Bip Bop Bip" (with Richard's "band" the Upsetters accompanying), "Switchin' In The Kitchen", "Rockin' the Mule" or this hard edged Penniman's cover, prove there was more to him than just another one of King's imitators or throne claimers.
Elder Charles Beck - "Rock & Roll Sermon Pts 1 & 2" (?, 195?) -  Totally raw, primitive, electrifying and testifying guitar amp driven gospel! Forget the MC5, this is the real shit! A anti-rock n' roll tune, completely possessed by the devilish rock n' roll spirit! A Luciferian attempt to eulogize God's goods...Ha-ha! As diverse as this sound, believe me, it is! If this preacher was God's soldier he sure did it the wrong way! Thanks Devil for putting his nasty tail on this hot smokin' piece of soul disarray! Let's face it, NO ONE can beat the evil powers of Rock & Roll! 

Various Artists - "All Night Garage Service" (Waterfront Records, 1986)

I have searched for this comp over the years quite a lot but I sadly failed to succeed. It has a big “Garage Service” stamp on, but don’t wait sir to found in it paisley shirt mop top revivalists.
You know, I moaned a bit on some previous posts ‘bout the lot of the so-called ‘Garage Revivalists’ of the 80s. OK, there was a good percentage of them all that had one at least kick ass record in their arsenal but hey, paisley shirts never was punk. And sometimes (as the old slogan says) “Image is everything!”
Johnny Rotten used to refer onto ‘pub rock’ bands as “rubbish”... Of course I rate Pistols high, but I always thought of Wilko’s chunky Telecaster as punkier than Steve Jones Gibson. And there were much more groups in the UK that period of time that were more ‘garage’ or ‘punk’ than the ‘obvious’ press darlings (even though once again, many of them were totally great). 
And this compilation’s got plenty. You can actually hear Wilko Johnson doing Sam the Sham’s “Wooly Bully”, Eddie & the Hot Rods on a blistering live execution of their classic "Teenage Depression", Steve Hooker's excellent "Thunders meets the Cramps" Shakers, on "How Did You Know" (Mr. Hooker was the mastermind behind this release also) or the Len Bright Combo with members of Wreckless Eric's band and the Milkshakes! "Chunkchakanchunk - chunkchunck, chunk" Bo and Chuck rhythms and riffs for those who knows where the roots of garage punk are. 
This record not long time ago posted on TwilightZone! from the CD reissue with the bonus tracks.
If you wanna hear now how this sound through a needle's dive in the plastic, check once again brilliant  Jean Philippe's rip contribution exclusively for White Trash Soul!
FLAC

 All Night Garage Service!

Various Artists - "Sock It To 'Em Soul" (Warner, 2004)

What was the last time you bought a compilation that hails from a major label and worth utterly its money? Not lately, right? And that's sad cause most majors are sitting on countless masters of well known or for better, forgotten jewels! All they ever wanted was the easy money. Well, this one here's thankfully a shining exception. Not again one of the many under the term "Northern Soul" with a dubious stature. In fact, not "Northern" at all! A KILLER set of 60s Soul tracks from the vaults of Atlantic, Stax, Atco, Loma, Reprise and Warners! Gritty, tough & groovy, up-tempo dancers perfectly suited for every party!
New Year's eve's always a good reason for having a party! Put it on, tire out your bodies and have a good time remembering the bubble of John Belushi on "I Don't Know":
"I said Baby, You know when you bend over I see every bit of Christmas, and when you bend back I'm looking right into the new year! She said Honey, honey  you know I gave up cigarettes for my new year's resolution... But I didn't give up smooooking!!! I said,  Woman!, woman you gonna walk a mile for a Camel, or are you gonna make like Mr Chesterfield and satisfy? ....She said, That all depends on what your packing.... Regular or Kingsize!  Then she pulled out my Jim Beam, and to her surprise it was every bit as hard as my Canadian Club! I said,  What now you gotta say baaaaaabeee? She said, Umm... I don't know!"

Hope all friends of this blog ll found in 2011 all they ever wanted! See ya next year guys and gals and...oh! Have a drink on me.
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Funky Street! 

Various Artists - "Ugly Things, the CD" (Raven, 1992)

On the last UGLY THINGS magazine (issue #30 - Summer 2010), have placed a cool article by Johan Kugelberg on great (at least) and influential 60s punk compilations that grew up generations of misfits (here's another one) which makes a passing through the "Back From The Grave" series of Crypt, "the Chosen Few" volumes (by A-Go-Go), the "Garage Punk Unknowns" Volumes by Stone Age (Hmmm, OK - Crypt) or the small "Nuggets" brother, the "Pebbles". Of course there are (thank God!) millions out there and with all these blogspots around, day by day become zillions. Sure the article has "missings" but hey, this guy wrote his favorites. Everybody got some. More or less i agree with all the selections that Johan made, but I'm still wondering why he'd left out an obvious choice... The one that has the same name with the magazine that extends hospitality on the aforementioned piece. The one that turned our heads to Australia and had inside his grooves all the bastard kids of the Pretty Things (don't forget what the pretties did there...). And I'm talking about Raven's "Ugly Things" series! Originally on LP format (4 volumes) with the first one (and the best of them all) on the streets back in 1980 and the last in 1989. Here's the "best of" CD version of the four; and believe me the one you really need to chase. From here have started my obsession with the Missing Links, the Chants R&B and the Purple Hearts. 26 over the top R&B savage punkers, the way Phil May and Dick Taylor taught 'em. Dirty riffs, pounding drums and walking screams in a 70 minutes full throttle mayhem!
Many thanks to the original ripper of this (at first a torrent), I owe him a lot.You NEED this album!
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Ugly Things!