Various Artists - Psychedelic Mod, Funky Prog, Acid Soul and Freakbeat (White Trash Soul 60s Psychotropia No.1)

 

OK, I've just made another compilation and I couldn't wait to share it, even though there are other posts already waiting in the pipeline. That's how excited I am! Having listened to a lot of acid jazz recently, I decided to compile a playlist of British bands and songs from the late '60s that undoubtedly influenced the creation and development of the genre in the early '90s. At least, from my point of view.

Anyway, by the time this booming decade was coming to an end, psychedelia was also in troubled waters, and musicians were looking for new sounds to take its place. Some turned to jazz, some amped up the blues, while others started heading in the direction of a more progressive sound, yet still funky. And quite many fearless musicians tried to combine all these elements to create something new. Most of them (if not all) were ex-mods already accomplished by the groove of black Americans and the mighty Hammond organ was now at the forefront, leading the way. Many of them mods also collaborated with each other in one or more bands, and many of those collaborations can be found here.This new sound had a grittier, nastier, smooth and manic at the same time overtone, with fuzz guitars polluting the area and rumbling organ and horns wailing all over.

Was it psychedelic mod, funky prog, acid soul or just another variant of what later was called freakbeat? Probably all of these and more! Sometimes it's tricky to put into words what you're hearing, but it's not hard at all to get excited about it and dance! I chose to stay in the old Albion because dealing with the US would have been a far greater challenge (Funkadelic, Betty Davis, etc.). See you soon! Cheers!!

1. Don't Want You No More - The Spencer Davis Group
2. My Friend Jack (Demo Version) - The Smoke
3. Anymore Than I Do - The Attack
4. Speak Your Mind - The Lion Tamers
5. Gone Is The Sad Man - Timebox
6. Your Love is Burning Me - Thane Russell & Three
7. Baby I Need You - Curiosity Shoppe
8. Jumping Jack Flash - Wynder K. Frog
9. Somebody Stole My Thunder - Georgie Fame
10. Emmaretta - Deep Purple
11. Egyptian Tomb - Mighty Baby
12. Don’t Be Afraid - Keef Hartley Band
13. Lola (Instrumental) - The Kinks
14. My Mind Can Ride Easy - Killing Floor
15. Indian Rope Man - Brian Auger & Julie Driscoll and The Trinity
16. Call You Liar, Liar - Satisfaction
17. Crazy Feeling - Carl Douglas & The Big Stampede
18. Pineapple & The Monkey - The Faces
19. Solar Level - Johnny Almond Music Machine
20. (If You Think You're) Groovy - P.P. Arnold & The Small Faces
21. My Time (Brass-Free Version) - The Pretty Things
22. It's a Crime - The Kirkbys
23. Eiderdown Clown - Scots Of St. James
24. In The Deep End - The Artwoods
25. Evil Woman - Guy Darrell
26. Which Way - The Sorrows
27. Big Boss Man - Dave Davani
28. Loot - Steve Ellis
29. I'm Alive - Don Fardon
30. The Cheat - Sutch Lord
31. Midway Down - The Creation
32. Follow Me - The Action
33. In a Broken Dream - Python Lee Jackson ft. Rod Stewart
34. Snowy Wood - John Mayall & The Bluesbreakers

Various Artists - Downtown Soulville, Mr. Fine Wine's Top 45s (WTS Soul No.8)

 

This is my first post of 2026, and it's already under difficult circumstances. I would like to wish each and every one of you a happy new year, but I can't see that happening. I mean, really now people of the US of A, what were you thinking when you elected this idiot, fascist, schizoid piece of shit? (MAGA loonies can kiss my arse. Don't bother leaving comments — you'll never see them posted, GET THE FUCK OUT OF THIS BLOG!). Anyway...

When it comes to soul music, no one can beat a Detroit native. Matt Weingarden - to his friends and fans, Mr Finewine - is a DJ and record collector renowned for his in-depth exploration of rare soul, funk and R&B 45s. It was the 'Downtown Soulville' show on WFMU that introduced me to obscure (or not) grooves more than two decades ago, and I'm not exaggerating when I say this guy's changed my life for better! 

I can't remember how or where I found a list of his most precious and beloved items, but I printed it out. This piece of paper was a map for what I was going to hear or chase over the next years. I've still got it, actually. I've put together this new collection using that old A4 wrapping in exactly the order in which he presented those 45s. So, if you're planning a party anytime soon, don't forget to bring this playlist along. Trust me! And make sure you'll send any fascist, racist scum to hell...

1. Downtown Soulville - Chuck Edwards
2. My Baby Likes To Boogaloo - Don Gardner
3. Peanut Duck - Marsha Gee
4. Your Sweet Love - Nelson Sanders
5. Don't Use Me - George Jackson
6. I'm Gonna Do It By Myself - Jimmy ‘The Preacher’ Ellis
7. You'll Always Be In Style - Sidney Barnes
8. From Now On - Nathaniel Mayer
9. Ride In My 322 - Spyder Turner
10. Moaning, Groaning, And Crying - Fuller Brothers
11. Quittin' Time - Big Maybelle
12. I'm Drunk And Real High - Ada Richards
13. Soul Dance Number 3 - Pervis Lavawn & The Commanders
14. Mellow Fellow - Etta James
15. Get Down With It - Bobby Marchan
16. Go Go Train - Jackie Paine
17. Hump Back - Eldridge Holmes
18. Souvenirs of a Heartbreak - Thelma Jones
19. You Were Meant for Me - Young Jessie
20. Soul Sister - Sam Dees
21. Welfare Cheese - Emanuel Laskey
22. Baby Do The Philly Dog - The Olympics
23. Rattlesnake, Baby, Rattlesnake - Joe Johnson
24. Oo-Ma-Liddi - J.J. Jackson
25. Loose Me Love - Virgie Till
26. That's My Girl - Dee Clark
27. The Queen - Big Ella
28. I'm Stuck On My Baby - Irene & The Scotts
29. Nerves Of Steel - Gino Parks
30. Soul Circle - Spot & The Blotters

Various Artists - Sock It To Me! Another White Trash Soul Compilation of 26 Soul and R&B Dance Blasters

 

OK, here's another compilation that I've made for my own use and pleasure. This one was actually tested on the dance floor the other day when a friend of mine who owns a small pub asked me to lend him my iPod (he does that quite often) and play the whole thing while I was drinking my beer. Well, it seemed like everyone liked it to my surprise. I can't remember if I've used any of these songs in other compilations that have been uploaded by me in the past, but it's very likely since some of them are among my favourites. Anyway, here's the tracklist:

1. Teen Age Jump - T.D. Valentine
2. The Hawg [Part 1] - Eddie Kirkland 
3. Who Do You Love - Jimmy Toliver
4. Pretty Mama Blues - Arthur Griswold
5. Whole Lot Of Soul - Jan Bradley
6. Baby You Goofed - Rudi Stewart
7. Rockin' Pneumonia And The Boogaloo Flu - Bobby Marchan
8. A Rockin' Good Way - Jo Ann Garrett & Andre Williams
9. Go Go Girl - Richard Berry & The Soul Searchers
10. Watch Yourself - Al Gardner
11. The Love Knot - Chuck Wells
12. Searching For My Baby - James Lynn Marsh
13. Save Your Love - Buddy Lamp
14. Crazy - Wess & The Airedales
15. Chuck Roast - Chuck Edwards
16. The Wig - Lorenzo Holden
17. Do The Ape - Reg Powell
18. I Don't Know - Albert Collins
19. Shake Shout And Soul - Lil' Ray & The Premiers
20. Philly Barracuda [Part 1] - Holly Maxwell
21. Keep A Calling - Paul Perryman
22. Talking 'Bout Soul - Little Richard
23. Soul - Squatty & The Bottys
24. (Shing-A-Loo-Boog-A-Ling) Big Mama - The Experts
25. I Can't Help Myself - The Emperors
26. (Beggin) Baby Don't Leave Me - The Bronzettes

Little Richard – The Scream by Darius James (Vibe Magazine, June/July 1997)

 

 

(Right click and select 'open link in new tab' for full scans resolution)

Rex Garvin & The Mighty Cravers - I Gotta Go Now: 1961-1968 (WTS Soul No.4)

Rex Garvin was born in Harlem and grew up in the Bronx, where his neighbor Zelma Sanders introduced him to the music business in his early teens. Having one of the coolest band names ever (even though mr. Raw Funky himself was kinda embarrased about it), he has released countless singles especially during the 60s that are undisputed classics today. I thought he would have lived a comfortable life once he decided to leave music business. Unfortunately, his story is another one of the countless of an era with bad contracts and the exploitation of black kids in particular (anyone remembers the episode in The Sopranos first season?). He ended up living his last years of his life as a janitor for fuck's sake! 

[That's why I hate with passion capitalism and racism and I'm sharing thoughts and music. In most cases the artists never had a penny out of them.]

As a teen he wrote and arranged adjective hours of music (Rex’s inspiring intro to "Any Day Now" a song writren by the master of melodies Burt Bacharach that became a hit in 1962 - he got paid just for the session and with no credit even though our guy created it without having much time to plan or compose). 

Garvin’s gritty sound of the early 60s evolved into soul and funk over time, before his recording career waned at the end of the decade. Unlike many fallen stars of its time, he never had any interest in a comeback and remained reclusive until his passing. So here's a gathering of all of his 60s sides and once again as far as I know there's no such compilation around (I really wanted to include the amazing black rock'n'roller "Oh Yeah" but it wasn't in the aforementioned era). To make a long story short what I have to offer is an astonishing output of the most driving raw soul dance party anthems of all time! Bless his beautiful black soul...

Little Richard - Brunswick Lost Soul (WTS Soul No.3)

For some strange reason Little Richard's recordings on Brunswick have never been officially reissued, apart from a few scattered tracks on compilations here and there (some of them also bootlegs). As he said in his autobiography, Larry Williams was trying to make him a Motown artist during his stint on Okeh and for sure he wasn't one. Don't know what made him think like that, perhaps the lacking of success but Ricardito was as fabulous recording rock'n'soul as playing rock'n'roll! 

Despite his supposedly disdain for the horn-powered soul sound of his Okeh years, Little Richard displayed no aversion to brass immediately after signed out with Larry Williams. So in September 1967 he signed a one year deal with Brunswick Records. The three singles he recorded over the next twelve months doubled his commitment to the funky soul sound with horn sections that came into their own on hot numbers like "Soul Train", "Baby Don't You Tear My Clothes" or the Esquerita co-penned "Stingy Jenny". 

Unfortunately none of the amazing Brunswick singles cracked the charts and once again Mr. Penniman found himself in search of another label and chapter (with the Reprise era rejuvenation waiting around the corner). So, enter White Trash Soul to the picture to correct the mistake until someone, somewhere with a good taste decide to touch his hands to the previously mentioned material and finally make an official reissue. 

Various Artists ‎– "Pow City! FABulous Shakers Soul Party" (CD, No Label / Crypt? - 2000)

Another digital disc full o' buttshakin', wailin' soul and funky 45s, quite probably by the hands of Tim Warren! The whole (party) spirit throughout this CD it's from the period of time when the soul music was morphing and transforming into something funkier. The beats are heavier, more African oriented but not at all "ethnic". A plain rawness that had only in mind to shake some ass and nothing else. I got this at first just for King Little Richard's "Soul Train" but maaaaaan, imagine my surprise when I've found out that it was just another killer shot of hot-shit rhythm shaker among others!!! Dig also Dottie Campbell's groovy reworking of the Sir Douglas Quintet "He's About A Mover" (with THAT crazy and naughty organ, man!) or Andre Williams and Andre Williams disguise as Jomo or The Ditalians opener "I Gotta Go" which is an absolute cracker. 22 ultra rare stompers and groovers for your parties. Don't worry, dance now, you can thank me later!

Various Artists - "Full Time Lovers, Songs The Fabulous Thunderbirds Taught Us" (WAILCD 02 and a Half)

I've made this comp about a year or so back if my memory serves me well but I didn't posted it at the time because of the following two reasons: I didn't have all songs in FLAC (still don't - so not all songs ripped by me) and I've ran out of ideas for the back cover (all you get is this so-so front sleeve). The whole thing/project was to gather up all Rhythm and Blues, Soul and Funky sides the original Fabulous Thunderbirds line-up have covered (plus some more, I mostly focused on things Wilson/Vaughn touched later), and in this at least I succeed. I really love the T-Birds man! Their manic fusion of sweaty rock & roll, electric Texas barbecue of Chicago blues, nasty Memphis Soul and Louisiana Zydeco was (still is actually) a very good reason (if not, the only) for having any respect on white skin rhythm & blues gangs. Boy, even Muddy Waters was impressed back then when he caught one of the band's first shows in 1975 and hyped them Thunderbirds boys to club owners and interviewers across the country, loudly! Anyway, you got it I guess already. So, this is exactly what its title says. A 26 song gathering of all original sides the archetypal T-Birds chose and recorded (from Lazy Lester to Slim Harpo and from Sam & Dave to Bobby Patterson) for their first six albums, hope you dig it!

****** Rudy Ray Moore - XXXMas Presents!!! ******

Merry Christmas to ya all and send kids to bed, Santa's cuming! 
See ya next year!

 

Rufus Thomas - "Do The Funky Chicken, STAX 24-bit Remasters" (CD, Concord/Universal - 2011)

Hey there! Everything's fine? I hope so. Sorry for slowing down a little bit, we're on a roll the last
months. Along with JP we 're in a hurry to catch Holidays with a new WAX like project and on top of this, I reconnected with my old pal Manos for a new printed zine! I'm firing on all cylinders as you can guess cause there's work to do too with my dayjob and the other blog, the one about Olympiacos basketball team...
Anyway, there's always a little time I suppose for an upload and a few words, right? So, that's my fave Rufus Thomas LP. I know there's maybe an argument here, but I don't care. For those who don't who Rufus was (shame on you), everything's included in this: A Memphis Soul legend, of the first rock & roll DJs ever and 'The Crown Prince of Dance'! Need more? He gave Stax its first hit record ("Cause I Love You" with daughter and later superstar Carla), the one actually made the Atlantic giant turn eyes down there and start a collaboration which is no hyperbole to say, changed the face of the music (at least in my mind).
And coincidentally this again was the first one after the break up with Ahmet Ertegün and Herb Abramson's company. Having lost superstar and King of Soul, Otis Redding on a plane crash and all of its back catalog to Atlantic, Stax/Volt vice- prez Al Bell visioned a 'suicidal' to many then 28 LP release project for the company's resurrection. And the forgotten by the end of the 60s Rufus was back!
The 'house band' of Booker T and the MGs took place in the studio and guitar master Steve Cropper handled the production duties as well. Son Marvell with Isaac Hayes sat on the keyboards and the famous Memphis Horns with Ollie and the Nightingales were a full on back up fill.
From the opening same title song to the funky recreation of "Bear Cat" (originally the answer to Big Mama Thornton's, "Hound Dog") and all the bonus tracks in here, like the Eddie Floyd penned "Funky Mississippi" there's plenty of good time ass shakin' silliness! Yep the same one made the Ramones as brilliant... So fuck serious music, rock & roll's nothing else but fun,OK?

Yours Truly!

PS: Go ask Poison Ivy from where with Lux took the "Can your pussy Do the Dog?" inspiration...

The Jon Spencer Blues Explosion! - "Orange" (CD, Crypt - 1994)

Ahhhhh, The Blues Explosion! Still much controversy about them, right? OK right from the start, I dig them and I dig them A LOT! They're in many ways responsible for the younger generations to turn their heads into black music again (rock & roll, blues, funk, soul etc). And they were awfully sexy once upon a time... Actually just as sexy and raunchy will get black music, which is again, A LOT! Hmmmm, come to think of it, actually ONLY black music is sexy but anyway, I think you got it!

So, purists are fuckin' jerks - period! They always were. They're nazis in everything and their thinking is similar if not the identical to those bastards but life and art luckily had taught us that without mixing bloods, no wonder's going to happen and those stupid "purists" attacked/accused the Blues Explosion in the beginning at least, for not being "authentic". Andre Williams, R.L. Burnside and Rufus Thomas though had no problems as history proved just like Bo, Muddy or Chuck had no problems for the Rolling Stones back in the 60s.

Nevertheless I'm still scratching my head in oddity with this record... I mean, is sooooooooo brilliant but quite extremist as well for people like Tim Warren, don't you think (here as you can see for yourself in the original Crypt jacket and not the lame aluminum of Matador!)? With "Orange" the Blues Explosion added scratches and dance beats to their "Meters going Stones having James Brown and Lux Interior" formula with an enormously marvelous end result! Still fresh, neat and funky as fuck as it was 20 years back when at first came out... This is Blues Power!!!

Little Richard - "The Rill Thing" (CD Reissue, Collector's Choice Music - 2009)

Don't know why took so long to the public to figure out how cool were many Blues and R&B legends in their late 60s/early 70s comeback LPs, but I guess never too late. I was obsessed with it! The first bunch that I lay my dirty hands upon were Muddy Waters' "Electric Mud", "London Sessions" and the Johnny Winter (RIP) produced "Hard Again", about twelve years back. From then it was a non stop downhill, he-he! So, as you might guessing I'm on the other side of the river. I totally disagree with the purists or the artists themselves (like in Howlin' Wolf's 1969 Cadet "Album", for instance...). I mean, why Elvis "68 Comeback" regarded as brilliant (which is) and not Bo Diddley's "Black Gladiator" or Little Richard's "Rill Thing"? Cause both originators have tried to update their sound and for me at least, they succeeded. So, where Big Bad Bo got psychedelic funky, the Georgia Peach got swamp rock! Although Reprise (RS-6406, 1970) tried to push it as a comeback album, Little Richard was in fact 'back' many years before, cutting brilliant (though sadly unsuccessful) rhythm & soul sides for labels like O-Keh, Vee-Jay, Modern and Brunswick. "The Rill Thing" was a loan King Little Richard gave to his tribe, especially on Creedence Clearwater Revival and it was time to get the requite for this. Recorded and produced by him at (the now legendary) Muscle Shoals in Alabama, the sounds captured on tape found the real king of rock & roll in heat. His voice was mighty loud as it was on his Specialty hits and the music was greasy, swampy and funky soulful! “Dew Drop Inn” and the album's (now multi-sampled) opener “Freedom Blues” were written by Richard and long time friend, old lover and influence Esquerita (on credits shown as Esgrita!) if that says something (it does!)... The Beatles' "I Saw Her Standing There" funkified surprisingly enough by the man who gave inspiration to Lennon and McCartney partnership and although at first crabs, after two or three listens fits perfectly to the other album's tunes.

Don't know why really, this one still brings mixed emotions. I'm finding it as a truly exceptional and equal creation to this man's legacy! An album for sure drug fueled by cocaine and guilty pleasures but as well, an album of its time and place. Try play it betwixt and between "Sticky Fingers" and "Bayou Country" and you will understand what I'm saying...

Rolling Stone No.59 / May 28 ,1970 - taken from Arouse Your Passion blog

In Memory of Etta & Johnny ... Etta James - "Rocks The House" (Argo/Chess, 1964) & The Johnny Otis Show - "Cuttin' Up" (Epic, 1970)

This post was meant to be a little bit celebrating... Yesterday this blog got into his third year of life and i was preparing a gift in a titty-shaking way... You know, sleazy 'Las Vegas Grind' type 45s just for the occasion. The sad news of losing Etta & Johnny left this fair for another time. Without people like those two, a blog space like this would have never existed anyway. I'm not expecting from you to need this dork here, type some words telling who these titans were. And I'm not expecting also to need me to bring in your ears some of their sounds. Actually i wasn't going to post anything cause sometimes saying nothing, says a lot. But it's 2 in the morning, kids and wife sleeping as all normal people tend to do except for me and my guilt for not solemnize two of the greatest r&r/r&b heroes ever. So that is, and I'm shutting my mouth down, letting the music do the 'dirty' talking. And that's what i liked the most for both of 'em. They were dirty and sexually starving monsters just like this music orders.  R.I. P.
PS: If that says something, Johnny Otis was Greek... and Black!

Night Trains - "Sleazeball" (Acid Jazz, 1994)

Not again! I got this feeling in the first place when our little 'zine was in its last legs. That 'must write something' feeling got me bored quicker than i thought it would and the next logical level was another nail (mine's this time) in our cool mag's coffin. Suddenly i felt the same. And you know, blogs not about this. You must write, share, post anyway something when you're into the groove and not cause that's what your dictatorship mind demands! Another thing was/is the concept. You know, this is a 'garage/soul/rock & roll' page and that's the way should be left! Fuck rules man! Sometimes you're your own worst enemy. I got to be 33 y.o. to see why many of the people already knew me (my best friends included), referring to me as an adherence person! And i was wondering 'why?'. Cause you trapped in asshole on your own keen rules, that's why!
So, this album i believe it's a club classic. Not the way 'Screamadelica' is, but probably due to the fact that in the late 80s the Acid Jazz label was ruling the sweaty nights 'round London, this pill must was one of their best weapons. I told you before, I'm a 90s kid and i got to all these by myself and not because of some hype. I still like Acid Jazz. I believe this label got something of my idiosyncrasy. It digs the same way garage punk, soul and r&b as 'vexed' jazz, funk or even some electro. Don't know shit about the Night Trains. Who they were, what they did, if they had a hit or how many records were able to put out. I just gave a little check for their discography on the net. I bought this cause i liked the front sleeve (don't ask me why) and as usually (still...) happens to me of the label's logo. I haven't heard it in years. Brushing up your record collection always have something to offer and this time was this groooooovy baybee compact disc. I'm sure you can get it through some internet auction and on the other hand surely this never re-printed so...till the next time my mind command me to give you something, slip in.
Yours faithfully.

Eddie Bo - "In The Pocket With Eddie Bo" (Vampisoul, 2008)

In my mind there's no underrated R&B artist ever, than Eddie Bo (along with Eddie Taylor - my two Eddies). Eddie was sadly in the package of the least known greats. A funkster and a soulman, a rock n' roller and boogaloo-er, there's really no piece of black music that didn't touch his talented hands on. And what was created by these, were at least perfect examples of what New Orleans' music parade had to offer. Everybody knows Little Richard's "Slippin' & Slidin'' I'm sure. Does everyone know that was actually an Eddie Bo's tune (a local hit on Apollo under the title of "I'm Wise")? From 1955 to his recently departure, he had recorded and changed more than 40 record labels. From Ace and Apollo to Chess, Backbeat or Instant, Eddie created quite simply; sounds cool enough to move your body and touch your soul. He had worked also with great musicians of the era or the region such as Johnny Adams, Bobby Williams or Art Neville, but still remained a man behind the curtain and the headlights. Eddie was a unique mixture of voodoo rhythms and this compilation is as far as I'm able to know, the best way to start and to finish an important but yet criminally overlooked journey in New Orleans music tradition. If you wanna go deep down and dirty, well, here's your pill!
320 Kbps

In the Pocket with... 

PS:  Check here Soul Generation's brilliant feature on Eddie Bo.