Eddie Bo - "In The Pocket With Eddie Bo" (Vampisoul, 2008)

In my mind there's no underrated R&B artist ever, than Eddie Bo (along with Eddie Taylor - my two Eddies). Eddie was sadly in the package of the least known greats. A funkster and a soulman, a rock n' roller and boogaloo-er, there's really no piece of black music that didn't touch his talented hands on. And what was created by these, were at least perfect examples of what New Orleans' music parade had to offer. Everybody knows Little Richard's "Slippin' & Slidin'' I'm sure. Does everyone know that was actually an Eddie Bo's tune (a local hit on Apollo under the title of "I'm Wise")? From 1955 to his recently departure, he had recorded and changed more than 40 record labels. From Ace and Apollo to Chess, Backbeat or Instant, Eddie created quite simply; sounds cool enough to move your body and touch your soul. He had worked also with great musicians of the era or the region such as Johnny Adams, Bobby Williams or Art Neville, but still remained a man behind the curtain and the headlights. Eddie was a unique mixture of voodoo rhythms and this compilation is as far as I'm able to know, the best way to start and to finish an important but yet criminally overlooked journey in New Orleans music tradition. If you wanna go deep down and dirty, well, here's your pill!
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In the Pocket with... 

PS:  Check here Soul Generation's brilliant feature on Eddie Bo.

Solomon Burke - "Proud Mary/What Am I Living For" (Bell, 1969)

That was it. One by one nip out of this world. The last two years, Bo Diddley, Eddie Bo, King Coleman and today Solomon Burke (among sadly, many others) died and as much as a cliché this might sound, let us live with unoriginal and boring white or black cuties/hotties that pretend they “play” R&B... King Solomon’s gone for good. Get it? King Solomon’s gone…

Do I really need to say something for this MAN? C’mon I’m not in the mood and OK, if you don’t know, sorry but I don’t have the stomach this very moment to tell you who this man is. I’m not saying was, cause men like Solomon of course never die. How did the MC5 put it? A TRUE TESTIMONIAL!  Yeh, Solon Burke was that. Pick on whatever recording he made, to start or finish your journey on he's magical SOUL world. From the Atlantic label, to Bell and lately Fat Possum, King Solomon delivered the goods. All I have to say is that I’m terribly sad… And all I have to offer, is this 1969 Bell two-sider. Of course it's the same "Proud Mary" as this by Creedence Clearwater Revival or Ike & Tina. I'm not going to claim that this is thee best version of them all, even though i believe it's at least CCR's equal, but for sure got one thing...SOUL! "Cry To Me" King Solomon.

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 Proud Mary

Various Artists - "All Night Soul Stomp! Dancefloor Boogaloo Romp!" (Stomp, 19??)

If you make a quick google search on the words "Boogaloo" or "Shing-a-ling", words indissoluble linked with black music and especially R&B and rock & roll, you'll be founding out that the origins or maybe, the real reasons these created was about Latin music! Yes Latin! Personally speaking always, i have a thing with boogaloo. If it comes for these soul stompers, i'll go nuts! I'll go crazy for this "between eras" output of black bad asses, that had their one leg strongly stamped on the frantic R&B territory and the other in the soul dance-floor burners! You might call it "Soul & Roll" as well.
I'm for sure a huge Soul adoring individual, but i must give the credit for getting me into this ass moving dynamites, to the Slow Slushy Boys from France. What a fuckin' great band! If you haven't already checked them, please do it immediately! Then came the absolutley FANTASTIC compilations like "Shakin' Fit", "Pow City", "Hootchie Cootchie", the "Buttshakers" volumes or the "Downtown Soulville" and that was it, i was a proud carrier of the virus! And this one, it's another one that kicks some serious asses. It's not an 'out of print' platter or CD (i guess) but it's not also an easy item to catch, even via the net. Sad, but don't worry. What in the hell "White Trash Soul" would be this place if it hadn't got it in order to infect you too with this germ, huh? A killer no filler collection of RARE as hell 45s by artists mostly known to collectors or the fans of this 'genre'. Hats off to this Belgian company (if it's not really an excellent boot) for gathering so much hotties in a single disc (well, i guess again that the LP version was a double vinyl, but anyway). King Coleman, Phil Flowers, Chet 'Poison' Ivey, Russ Lewis, the International Kansas City Playboys, the Emperors (of "Karate" fame!) even King Little Richard, made a swirl in here! Believe me people, all these artists were at least equal or for better, created equal dance floor mayhem just as Sam & Dave did! If you're planning a party this weekend, put this on, dance like a monkey and have on drink on me!
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Boogaloo Romp! 

 

Book of the YEAR! Max Décharné - "A Rocket In My Pocket: The Hipster's Guide to Rockabilly Music" (Serpent's Tail, 2010)

For people not in the hoax, Max Décharné is a multi-talented person, mostly known as a musician. He began as the drummer of the Brit swampabillys, the Gallon Drunk but he played also a key role in the Dean Martin version of the Cramps, the Earls of Suave. Not much after this he created the Flaming Stars, a rare in taste rock & roll band. An original rock & roll street preacher full on (or of) culture. His impecable taste on movies, books and of course music, ranking him as the best of a kind that sadly fades, the last 20 years (at least for me)! 
When he finally tried his luck on writing a book he just topped! Hipster, with a deep knowledge of language, slang, records and facts of what generally called now "Rock & Roll" culture. 
Max Décharné was the last man interviewed by legendary John Peel. Both were mutual admirers. 
"Rocket in My Pocket", is what the title exactly says. "The Hipsters guide to Rockabilly music". I bought it yesterday and i'm SO hooked on this, that i stopped reading it only for going to work or sleep (late). An a few days ago release (in other words FRESH!) that certainly won't let you disappointed! As every other book by Max did. Forasmuch Billy Miller or Miriam Linna don't write a book, Max will be the one and only in the square that really deserves your time and money! Buy "Rocket in My Pocket" NOW!


Max Décharné's Bibliography:

• Beat Your Relatives To A Bloody Pulp & Other Stories, Malice Aforethought Press, 1989
• The Prisoner Of Brenda & Other Stories, Malice Aforethought Press, 1991
• I Was A Teenage Warehouse & Other Stories, Thirst Editions, 1997
• Straight From the Fridge, Dad: A Dictionary of Hipster Slang, No Exit Press, 2000
• Hardboiled Hollywood – The Origins of the Great Crime Films, No Exit Press, 2003
• King's Road: The Rise And Fall of the Hippest Street in the World, Weidenfeld & Nicolson, 2005
• A Rocket In My Pocket: The Hipster's Guide to Rockabilly Music, Serpent's Tail, 2010

PS: As an accompaniment to this, the great ACE Records, told Max to compile a CD full of rockabilly blasts well chosen and with just one thing in mind, to get WILD! If you don't already own the lot, if not all of these toons, well here's your chance! Take a look here!

The Fabulous Thunderbirds - "Girls Go Wild" (Chrysalis, 1979)

I can't see really why people go nuts for Stevie Ray Vaughan. I mean OK, may he was an A grade guitarist, but it never worked for me. Too fanfare and all things i hate generally on the "white blues" bands of the last 30 years, gathered under his wings. More pretentious and poseur than anyone could handle. When i was a little kid, got busted from the hype of SRV and got two albums. Even then, it was difficult to like his Hendrix like mannerisms and by the time heard him destroy (the bad way & with the help of Dick Dale for crisshake!)  "Pipeline", got a marker and once and for all deleted him from my mind's database!
I always  though dug his brother, Jimmy. And yes people, this one is the right one! He really got a huge admiration and respect for Rhythm & Blues, he really played them simple and powerfully and most of all, created a band that at the time (lemme think, why not even today?) were a sunbeam on the hodgepodge! Yes, the Fabulous Thunderbirds got all right elements for picking on a band that played the blues even if their skin were Caucasian. A manic fusion of Rock & Roll, R&B and Blues, with a wailin' harmonica and a tough enough rhythm section. Kim Wilson is another reason to pick on them. Cool as fuck and stormy, lead a band that in a way or another, kick started the whole 80s 'blues revival' thing. Don't know if we should blame T-Birds for this, but one thing's for sure, this debut has enough fire to warm up a city in the winter! If you haven't done it already, well give it a play. They sure blast your speakers off!
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Girls Go WILD!!!