Tuesday, August 26, 2025

Primal Scream - Kill All Hippies (WTS Popkid No.2)

 

Once upon a time, Kris Kristofferson sat down and wrote "Me and Bobby McGee". My younger self would not have appreciated the reference, by the way. Punk rock put me through a fanatically anti-hippie phase, and this is something that I admit has not yet gone away. Could this humble blog post paraphrase this classic song as "Me and Bobby G"? After all, Primal Scream was a mainstay of my music diet since I left my parents' record collection to find my own way. Back when the internet was still the stuff of a sci-fi writer's imagination, I obviously didn't have the knowledge I have now. I grew up just by listening to a band that sounded like the Byrds at first and then like the MC5 and the Stones, and I had no problem with that. Even their acid house delirium seemed fantastic to me!

I now know though that Bobby Gillespie and I have a lot in common — more than I once thought. We both come from working-class families and our parents instilled in us a sense of political awareness, Marxism and pride in our social background. We are still fanatical supporters of the football clubs we grew up with and we love the music, books and films that shaped us as individuals with the same passion. Although Bobby is a little older than me, he is just as fanatical about rock 'n' roll mythology as I am. I imagine he still spends his money on records and books, just like he did back then — and just like I do.

We are also different in (many) other ways. He is the leader of one of the greatest British bands the last 40 years, while I am a network engineer doing nothing that interesting. He used to be the drummer in the most influential band of his generation, the Jesus and Mary Chain, and I am still a network administrator. An when I'm bored and have a little free time, I sit down and write little stories on my blog that probably no one cares about. OK I also share some knowledge and geekiness about the subcultures that shaped us and music that companies normally shouldn't chase. But we live in a capitalist society, so at least we know what to expect.

So, as my typical habits dictated, I wanted to make a compilation to transfer to my iPod for my summer vacation. I wanted it to contain a mix of well-known and obscure tracks. So I did just that and the more I listened to that selection, the more confident I became that this is perhaps the best collection of Primal Scream songs ever compiled by someone (the little devil on my shoulder tells me to relax, but I won't). Companies always concentrated on singles and greatest hits material, but I strongly believe that this one has everything for both newcomers and Primal Scream aficionados.

I then thought, "What's to stop me sharing it in my usual socialist way?" And here it is!

10 comments:

  1. 320: https://mega.nz/file/KsgVVbaS#lqIHspHthZ5gC5Hu9VnwYjhmgEyZ6i5UvAaRopF0dGQ

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  2. Like the previous Charlatans and Green Telescope (man, I never thought I'd hear a couple of those tracks ever again), this is fantastic. Thank you!

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  3. ppfff if you like acid house you deserve it

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    1. Punk always was a creative, unconventional and innovative thinking, breaking away from the usual or standard methods. So yes, I probably deserve it!

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    2. yeah sure punks are sophisticated intelligent people haha

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    3. From Joe Strummer and Paul Weller to Jello Biafra and Greg Graffin... Should I go on?

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  4. I identify 100% as hippie but it's likely that I wouldn't annoy you sufficiently to make it necessary for you to kill me.
    Thanks for this comp. ell assembled best-ofs are very useful to those of us who need the

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    1. The whole punk/hippie debate has its origins in class differences. Those from working-class backgrounds (not only punks but also teds and mods) viewed hippies as spoilt middle-class children with little to actually rebel against. Of course, the whole 'killing' metaphor is just a slogan.

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  5. I sort of knew that. I come from a working class background as well but didn't like that culture very much. I was happy to have an alternative that was much more to my liking. BTW, I read the Julian Cope thing on psychedelia that you posted here and, speaking as someone who was there, I can tell you that garage rock absolutely felt like a precursor to psychedelia. Cope implies that the tough guy component was the most (only?) important part. I say it was the exploration of new sounds. Effects pedals changed the music the same way that the electric guitar had ten years (or so) earlier.

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