Let's go back to the 90s, when I was entering adolescence and taking my first steps beyond the Beatles and Elvis. That's when you start listening to other things besides what's in your parents' record collection (and mine didn't have much, they were mainly fans of the Greek new wave and obviously of Mikis Theodorakis and Manos Hadjidakis) and you unwittingly start getting into subcultures without knowing it, adopting their dresscode, hairstyles and behaviors.
The radio played mostly Greek music-let's say a good 90% of it, which made the whole endeavor even more difficult. Of the remaining 10%, 9% was mainstream nonsense. Those were difficult times. Until the indie scene boom came to MTV, we were literally living in a desert. The fanzines and clubs of Athens were two hours away from where I grew up, and it took me a few years to go there to study.
So, apart from what I've already written, the first song that blew my mind was 'The Only One I Know' by The Charlatans. I first heard it at a local disco at a dance held by my school. I don't know if the DJ was just playing whatever was a hit or if he knew what he was doing and managed to slip this into the programme, but either way, it did the job. The Hammond organ stuck in my mind. The vocals were unlike anything I had ever heard before: ethereal and carefree. I just started dancing in pure euphoria.
To cut a long story short, I came across that song again and finally found out what it was and who sang it while I was tuning in to one or two radio stations in Athens that played 'different' kind of music one weekend when I was visiting my grandmother. That's where I caught the virus. To this day, I still consider The Charlatans to be one of my favourite bands. Outsiders and survivors of any music trend of the industry. Baggy, Britpop, you name it.
Their early years, of course, still hold a special place in my heart. The way they married dance rhythms played by non electronic organs and 60s sounds are still unbeatable. Don't get me wrong; I love most of the Inspiral Carpets and like-minded bands, and I have them in my record collection, but the Charlatans did it better. Their neo-psychedelic, maddening drumbeat and the crazed Hammond pays tribute to both ? & The Mysterians and Deep Purple Mk1. It's no surprise that they were fans of The Prisoners.
I have collected all of their singles and EPs, along with all of the B-sides, from their early days until they changed direction while retaining their significance. At first, I had thought about including the demos too, but I decided that the musical journey is already long enough for those of you who decide to follow it.
Much love and respect to Rob Collins, Jon Brooks and all the surviving members who are continuing the legacy.
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