Hi there! Let's go on this quickly just like the rock and roll tradition commands! Here's another one of the super cool Jean Philippe findings. One of those that only my pal from somewhere in the south of France and his mighty pair of ears are able to dig and emerge through the dustbins and the eBay auctions. The well known 5ive two-sider on Chuck and Little Richard has now a very good reason for you to be heard (again) through the WTS gateway. Here's what was waiting for me in the mailbox, this morning:
"...Another fact: our favorite 70's LP are sonically fuck*d-up: Raw Power, LAMF... the MC5 2nd LP is not great either. Very thin-sounding, with virtually no bass. The French pressing is a little bit bassier, but that's not a night and day difference. I recently ripped the German mono single shown below. If you have decent speakers, the bass on this one will put a smile on your face (on side 1 at least). It has wall-shaking sub-bass (but you really need speakers that can handle deep bass)."
Blast on and have a great weekend! MC5 with BASS!!
I woke myself up today to the sad news of Andrew Loomis departure. Dead Moon for us the few rock & roll infected here in Greece were and still are something special and something different. We knew and we cared about them when nobody else gave a shit around the world and I'm fuckin' proud for it. I mean, even the fuckin' local Metal Hammer back then, gave them coverage...
I've seen them play live always with the same set-up (all three placed together in the same row right in front of the stage), from small venues to open air festivals luckily many-many times. And Andrew was always in the middle of Fred and Toody and you knew that the show was about to begin when this old Jack Daniels bottle full of melted candle on the drum kit, was catching fire again. He used to shoot beer on the drumskins quite often too, such a show off, he-he...
Dead Moon were the last true and pure garage punk outfit. Not garage rock. Fuck it, this is punk! Forget all the lame ass retro shit bands full of squares in paisley shirts and beatle boots. They were crude, they recorded themselves even cruder and they pressed (themselves again) their own vinyls (CD? wtf are you talkin' about man?!) on the same ancient lathe that The Kingsmen cut "Louie Louie". I have always been fascinated by this tale but it was their dark (and I mean, DARK) rock & roll approach that made me a longtime fan. And their privitism. Man, they were cavemen enough to annoy even Tim Warren, but hey no surprise we're talkin' about a Fred Cole leading gang, remember? And they reminded the whole world that you didn't have to be a straight edge hardcore punk loyal to be a "D.I.Y." pioneer as well. And they stayed that way, way too long to have any right to call themselves "indie", but never cared much about it. But there's I guess where lies the difference between a way of life and a trend...
Anyway, this one here is a perfect example of what a perfect compilation is. I still feel strange looking at the label logo though but the guys over Sub Pop let wisely Fred Cole himself to pick up the material so no further questions about the quality I suppose.
R.I.P. Andrew. Sex Murder Art...
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