Howdy people! Back from a couple of days off (thankfully there are few more on September's starting) but still in a slacking mood... You know, Greece's having many reasons to be in heat except for the summer, he-he... Anyway as most (if not all of them) posts here are the results of things I'm crashing in daily and kick me to write and present to you stuff I had previously led my hands on and wasted my ears to and so is this one. My good friend JP once introduced me to the Steve Hoffman forum and even though I hate purists, it has many interesting moments if not educational or funny! I came yesterday across a TEENAGE SHUTDOWN discussion that if these semi-boot Crypt series are any good and as most conversations ends up, it got bigger and wider on garage/60s punk comps mixing along (what else?) the sound qualities matter... Don't know if any of these guys there are following this jerk behind this blog, but if they do please do yourself a favor and go somewhere else guys for sounding matters. I mean, rock and roll is everything else but fidelity! And even if these next words sound/look/are a cliché, are 100% true as well. Rock and roll is sweat, sex, rawness and sloppiness. It's moving and grooving and having a good time. How this old mod punk song goes? Ah yeh: FUCK ART, LET'S DANCE! For me the Shutdowns, are even better than BACK FROM THE GRAVE volumes! Actually Shutdowns are better from anything else except for the iconic NUGGETS (yep, PEBBLES included). I'm not going to enter into the 'legit' discussion. Of course there lying many well pointed opinions, but firstly I don't know actually what's what and secondly, I don't care as long as these are so well packaged and mastered (yes, even if it's from the bands 45s directly and not from the master tapes).
Here's the first volume and probably my fave one! The "Pounding, Pulverizing, All-Out Punk Dance Ravers" sub sets from the word go, the recipe for this. And what I like THE MOST on these (as the legend says, Moptop Mike owned but Tim Warren chosen) 45s it's the all American feeling into! These frat punks are deeply rooted on the black R&B and Soul acts of their country and day than the British Invasion gangs. Chuckster, Bo, Little Richard and the less known Rhythm and Soul acts (listen to the Shandells' "Gorilla" version or the Us Four "Alligator"). And of course it includes some very well known now tracks like the comp's subtitle of the east L.A. garage legends Thee Midniters or the Lyres well covered and strongly Kingsmen influenced "Busy Body" from the Jolly Green Giants.For fuck's sake it has a prime Del-Shannon mover also! Don't know if they're still around but if they are, grab 'em with no second thoughts. Trust me, I know my rock and roll...
In diverse with the situation in my country nowadays (key word: dramatic) my spirit's quite alright. After all I get to used to it with all that shit... I belong to the "lucky" 40% of the population that still has a job but we have to fight for all the others that sank long ago and their lives are deep in misery... I think my beautiful family and rock & roll are some real strong weapons to keep me agile and sane...
Anyway,Tina Lucchesi was and still is the coolest/greatest rockarollah of my generation! She drummed, sang and wrote some seriously catchy songs and oh, she supervised a way cool label for more than fuckin' two decades man! Don't wait up from me to tell you the tale, I'm here to provide just a piece from the brilliant route of she and her many outfits.
And so that is The Bobbyteens! An hormone driven underground "supergroup" with all eyes on boys and bubbleglam pop with demented Chuckster licks, sweet and wet 60s girl group vocals ala Shirelles and an full on attractive amateurish delivery. Imagine an updated Nikki and the Corvettes version with a lot of The Dictators early spirit!! If you still trust my taste (and you should, I've never let you down) believe me this is better than Joan Jett and you know what, I LUV Joanie... Ultra classic 90s debut with Joey Ramone / Greg Shaw 100% approved teen rock & roll!
Let's try keep this post as punk'n'roll its DNA orders. Laconic and simple with loudness and boogie all over and rockin' and rollin' as VERY few things the last 20 years. I'm really sad cause I've never had the chance to witness their manic raw power in a concert, but maybe it's for better. Good things won't last long they say, right?
OK, that was a hard choice. Jim Jones Revue were an outfit which never (and I mean, NEVER!) cut a weak or a mediocre song and had as well the ability to change things in every step they walked their boots, without losing their primal rock and roll and manic energy. Really now, how many years England has to put out such a good and true rock and roll force!?
Revue were no wheel inverters of course. They just had the right taste (Little Richard, Jerry Lee, The Stooges and the 5) and a good eye to see the absence of a real rock and roll gang in this shitty world. Were 100% analogue in a 100% digital reality. I mean, The Ramones are sadly all gone and Lemmy's like to spend its days playing the slot machine down the road at Rainbow... This last album was no less, their best! Dark and otherworldly doo-wop, punky R&B, glam stomps and blues yelps, they're all here man. And this closing track, this utterly haunting serenade of "Midnight Oceans and The Savage Heart" grabbed me by the neck and never left me since the first time... Epic.
I never really liked bands like Jellyfish or Weezer or Teenage Fanclub... OK, I'm lying here a bit. Teenage Fanclub were great actually and Weezer had their good moments sometimes (Jellyfish are still shite though) but these bands are definitely not what I have in my mind as "powerpop". As far as I know, the term belongs to the great Greg Shaw and even though he liked stupid things like ABBA thankfully never released something like it... So things like the Romantics, The Rubinoos, The Shoes and The Nerves are what from day one I too tag as "powerpop" in my vocabulary. Pop bands with a well hidden (sometimes) smell of raw rock and roll!
Among the very best the last few years are Mother's Children from Ottawa Canada. In fact Canada rules the powerpop game nowadays and has quite many and quite excellent gangs around (The Mandates, Fashionism, First Base and Nervous Talk are the first my mind brings swiftly - try them, without question WTS approved outfits) but Mother's Children topped them all with their glamified powerpop n' roll! What really makes these guys special (except for their amazing hooks, harmonies and riffs) are the drumbeats. Seriously now, this guy here's the best thing I've heard behind the kickdrum since the early days of the Hellacopters (respect to Robban, Keith Moon's Swedish lovechild).
That's their first and it's probably long ago out of print and I'm still not having it psychically. This rip belongs to the departed friend of mine Patrick, of the SOTD fame. Shit man, almost everyday I think of him and the legacy he left behind. There are bands recently discovered by me and it turns out that Pat had them way before me on his site... Anyway, these guys, Kurt Baker's projects, The Cry! and The Connection are combos Joey Ramone would be proud of, trust me! Support them fanatically.
It's been a while (again), right? Hope all you guys and gals out there to be cool as always! I have to
apologize once more for the lack of audio-related posts but keeping two blogs alive, having a 9 to 5 (on the good days...) "normal" job and a family makes it quite difficult sometimes. To make things worse (better actually), I'm trying to re-build an old fashioned (to many people) printed zine, he-he... So I guess here's the point that I have to ask for more patience from all the bands and labels side cause guys, I'm really strugglin' to make it sometimes...
Anyway, enough with the sorry ass shit! It's time to reassign your trust on WTS for your rock & roll pleasure and (maybe) education. I know many of you people are goggling your eyes now to the view of a Skrewdriver post here but believe me, I've changed none of my political thoughts and of course I still HATE racist/fascist scumbags (I'm writing these lines while I'm listening to the Charles Packy Axton full-on black grooves, yes I can be as diverse as that)! This original and early version of the band had nothing to do with the later Stuart's "white power" shit. I mean, this fucking hostile masterpiece was produced and released back in 1977 by none else than Roger Armstrong... You know, the brilliant guy behind Ace Records... As you can easily understand was a zero chance for such a dude to had friendly relations with neo-nazi lowlifes, right?
So the early Skrewdriver lineup was/is the quintessential boot-boy street punk gang (along with the Cockney Rejects and Cock Sparrer) and had their roots deeply planted on The Rolling Stones, The Who and AC/DC (and here's another evidence of their prime dissimilarity). They were the hools that used terraces for their "Us against the World" attitude and not for their favorite club's achievements. Unfortunately they lasted for almost three years and left as consignment a number of singles and this utterly classic album, first on the legendary Chiswick label. Don't know if this CD release is actually a bootleg. I ventured a Google-search but found no official release to exist (if you're aware of such a thing, please advice). I tell you though, boot or not this one includes all the powers of the original Chiswick release. I read also that initially manufactured with four different colorings but I witnessed only this one and the yellow.
To cut a long story short, don't be afraid to blast this thing at a maximum volume. Ian Stuart Donaldson's hate/fascist vehicle has only one but sad blood relation with this punk rock road roller: The Name.
Hey there! I know that I promised this re-up quite long ago, but better late than never right?!
Well if I got it straight, it was this fuckin' place that made this tape again available to the public but we've seen it been uploaded on YouTube without having the credit we thought at least we deserved (for better) or (for worse) founding out that some stupid fucks ca$hed on it and on fans thirst to hear the legendary LAMF cassette sound... So here's another chance to grab it, dance to it and send these jerks to hell!!! If you came here for the first time and you want to know the whole story, go to our first post, dated back in 2012. Feel free to share it with your friends and having some drinks on us! Once more, many thanks to Brian Young and his generosity for sharing such a piece of history.
------- DEDICATED TO THE MEMORY OF MIDNIGHT RAMBLER (SOTD) -------
Hey there! Is it already 'next year'? I guess so... And I guess as well that there's no better way for a first post than a handmade White Trash Soul party CD, right? I know it's been a while since the last WAX thing and it's been a little longer since a Greasy Soul and a Dirty R&B comp courtesy of yours truly have landed to your hard disks but you know, the lack of personal time, the work, blah-blah-blah... I'm sure some of you notice that I didn't used the "we" pronoun, right? That's because JP wants to make a pause for a little and I didn't blamed him to tell you the truth. There's a time when you want to do other things but I have to testify also his bitterness for the lack of comments on our posts. I mean for me it's OK, I don't care if someone wants to tell thanks or something else cause I'm doing it for my soul self satisfaction first, even if this sounds a little egotistical but I do understand JP's side cause it's always great to see how people reacts on your thoughts and posts... Anyway, I want to thank him one more time for everything he did for WTS all these years and they were A LOT as you know. Keep the rocks rollin' buddy! On our subject, WAIL it's the new WTS subsidiary. And since WAX was a baby that belongs to both of us I thought it was proper to use another trademark and logo. For the R&B/Soul sect of our tribe, I'm dead sure, everyone understands that I drew inspiration (aka ripped) Ace Record's idea from "Gaz's Rockin' Blues" well known compilation!!! I'm not cocky enough to put myself on the cover so my beloved Young Jessie took proudly place in it!
The procedure was the well known. No second thoughts or deep diggin' for THE obscure track even though I'm sure for some of you some toons may be 'obscure'. I was having a ball myself and what I wanted to listen that very moment, was being ripped too for your listening pleasure. Don't know if it's gonna work for you, but for me it was a blast!
You can have a preview in case you wanna know what's what by clicking the back-sleeve up there (I made it look like a long play - don't know if I succeed it was the first time without JP's magic hands). As usual share and dance freely! No fuckin' bootlegging's allowed!! This is strictly made by fan for fans shit!!!
* The Great Rock & Roll Survey - the 1980s (Book by Rev. Joe Longone) * Freddy Lynxx's Johnny Thunders Fanzines (any issue) * Courageous Cat Club - JTFC Tokyo (Japanese) Johnny Thunders Fanzines (2 issues)
* Kevin K's ThunderPop Fanzine #1 (with or without "Palm Trees & Humidity" CD - better with...)
White Trash Soul Hero: Jerry Leiber (April 25, 1933 – August 22, 2011)
...on Bob Dylan: “A sloppy, white motherfucker with no rhythm” and what bothers him most about Dylan: “His father was a pharmacist.” I don’t know, Jerry. What the fuck does that mean? “What does it mean? Doesn't that just say it all?" R-E-S-P-E-C-T!
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